Happyhappyjoyjoy
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Happyhappyjoyjoy受到了亚洲繁忙街道的启发，供应受到泰国、马来西亚、越南、印度尼西亚、中国和韩国街头和市场影响的小吃。
Concrete设计了happyhappyjoyjoy的概念、名称、室内设计和整体身份；这是一家代表了不同街道和小巷的折衷混合物，充满了丰富的颜色、纹理、印花、灯光和不同的座位区，后台有冒烟的锅和蒸笼。餐厅分为五个空间，每个空间都有独特的身份，捕捉到了亚洲街道的有序混乱。
Concrete对该场地的雄心壮志是要创建一种新一代的餐厅和室内设计，并与当前的潮流背道而驰。Concrete相信happyhappyjoyjoy将成为一个目的地，客人们将在其中体验到欢乐和快乐的同时，在激发所有感官的有趣环境中；一个让每个人都感到积极的空间，一个让游客脸上自然流露微笑的地方。
走近建筑，路人们被写有happyhappyjoyjoy的霓虹灯吸引，霓虹灯后面是18个丰富色彩的灯箱。
餐厅的入口仿照了一条小巷，第二个门面配有一个定制的百叶窗墙，增强了街道的感觉，并拱形延伸到进入酒吧的开放连接处。在实际玻璃门面和第二个百叶窗门面之间，小巷有18个灯箱，大小、艺术品和高度各异。靠窗的高桌上有高脚凳，供快速小吃或等待外卖街头食品使用。
镀锌钢吧台位于餐厅前部的中心位置，配有17个吧凳，并由亚洲啤酒、葡萄酒、清酒、烈酒和精心挑选的茶叶组成的酒瓶架。吧台周围的墙壁涂成了翡翠绿色。两个橡木柜放置在相对的墙上，提供额外的存储空间。柜子由以45度角倾斜的架子组成，上面放着带有亚洲货品的货架，呈现出一种别样的感觉。happyhappyjoyjoy的霓虹灯标志附在两个柜子上，用霓虹红灯照亮了房间。高桌与柜子连接在一起，每个桌子都配有4个吧凳，供客人在酒吧享用快餐或等待外卖街头食品。
进入建筑的更深处，餐厅区域散发出完全不同、甚至更加多彩的氛围。墙壁上贴满了多彩的艺术作品，展示了一系列在亚洲收集的海报和宣传单，以及一些专门为happyhappyjoyjoy创建的作品。艺术作品随意地贴在所有墙壁上 “就像非法的海报墙”，甚至延伸到大型壁龛中。该区域分为两个房间，墙壁上有定制的橡木公园式长凳，配有Verywood的椅子和Satelliet的桌子。
红色的背光纸伞天花板加强了房间温暖的亚洲氛围。
厨房与后街小巷相连。后墙是一个由四个开口构成的小贩摊位的钢墙，框住了厨房，在那里炒锅、蒸笼和煤气炉将餐厅热度提高到亚洲的温度。小巷里有高桌和吧凳，供团体观看厨房的壮观场面。与厨房相对的墙壁涂成黑色粉笔板涂料，以步骤图的形式庆祝Julius Jaspers的食谱。小巷由Bertjan Pot为moooi设计的五个巨大的Proplights照明，配有灯泡，让人联想到流动的灯串，就像流动的街头食品摊位中的灯光一样。
happyhappyjoyjoy的私人用餐区位于后街小巷的左端。墙壁装饰方式与小巷相同，但空间可以使用钢门设有玻璃板关闭。在提供八个座位的桌子后面，一个由99个六种不同颜色的蜜胶寿司盘组成的艺术品完成了空间。
位于后街小巷尽头的墙壁上从地面到上半部分都覆盖着砖瓦。墙壁中间的位置特意设计成定制的“快乐纸币壁纸”。
Happyhappyjoyjoy is inspired by the hectic streets of Asia, serving small dishes influenced by the streets and markets of Thailand, Malaysia, Vietnam, Indonesia, China, and South Korea.
<div> Concrete designed the concept, name, interior design and total identity of happyhappyjoyjoy; a restaurant which represents an eclectic mix and conglomeration of different streets and alleys, packed with rich colours, textures, prints, lights and different seating areas with smoking woks and steamers in the background. The restaurant is divided in five spaces, each with a unique identity, capturing the organised chaos that characterises Asian streets.concrete’s ambition for the venue was to create a new generation of restaurants and interior design, and break with current trends. concrete believes happyhappyjoyjoy will be a destination where guests will experience joy and happiness in a playful environment that stimulates the senses in every way; a space where everyone will feel positive, and where a smile will automatically appear on visitors’ faces.
Approaching the building, passers-by are drawn in by happyhappyjoyjoy written in neon on the façade, with 18 richly coloured light boxes just behind the windows. the alley.
The entrance of the restaurant refers to an alley, with a second façade equipped with a custom made wall of louvre doors that enhance the street feeling and arch over the open connection to the bar further into the restaurant. Between de actual glass façade and the second louvre façade, the alley features 18 light boxes, varying in size, artwork and height. High tables with bar stools along the windows are available for a quick snack or to wait for street food to-go.
The galvanised steel bar, accompanied by 17 barstools, is centrally situated in the front of the restaurant and crowned by a bottle-rack filled with Asian beers, wines, sakes, spirits and careful selected teas. The walls around the bar are painted in a jade green. Two oak cabinets, placed on opposite walls, provide extra storage space. The cabinets consist of shelves angled at 45 degrees, which feature Asian goods presented with a twist. The happyhappyjoyjoy neon sign is attached to both cabinets and lights up the room in neon red. High tables are connected to the cabinets, each accompanied by 4 bar stools for the option of enjoying a quick snack at the bar or waiting for street food to-go.
Further into the building, the restaurant area radiates a completely different, and even more colourful atmosphere. The walls are covered in colourful artwork, featuring a collection of posters and pamphlets collected in Asia, and some created specifically for happyhappyjoyjoy. The artwork is plastered randomly on all walls (like an illegal poster wall) and even continues into the large alcoves. The area is divided into two rooms with custom made oak park style benches against the walls, accompanied by chairs by Verywood, and tables from Satelliet.
The red coloured backlit paper umbrella ceiling strengthens the warm Asian ambiance of the room.
The kitchen is connected to the back street alley. A steel wall of hawker stalls rises in the back with four openings framing the kitchen where woks, steamers and gas burners bring the restaurant to Asian temperatures. The alley contains high tables and bar stools for groups to enjoy the spectacle in the kitchen. The wall opposite to the kitchen is painted in black chalkboard paint and celebrates Julius Jaspers’ recipes in step-by-step drawings. The alley is illuminated by five huge Proplights by Bertjan Pot for moooi featuring bulb lights, reminiscent of garlands of random streetlights as seen in pop-up street food stalls.
The private dining of happyhappyjoyjoy is located on the left-end of the back street alley. The walls are decorated in the same way as the alley, but the spaces can be closed off using steel doors set with glass panels. Behind the table, which offers eight seats, an artwork of 99 melamine sushi plates in six different colours completes the space.
Situated at the end of the back street alley white tiles in a stretcher bond cover the walls from the floor up. Halfway up, the wall features a bespoke ‘happy banknote wallpaper’.<br></div>
