新阿列什南波希米亚画廊-M2R Arquitectos
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☉ 新阿尔绍瓦南波希亚画廊 是 M2R 建筑事务所为捷克布杰约维采市 “České Budějovice Municipality” 于 2024 年提出的一个提案。该画廊位于捷克布杰约维采的公园环境中，规模为中等，面积为 5671 平方米，预算为 31,750,000 欧元，单平方米成本为 5,599 欧元。主要材料为混凝土和玻璃。Mania Estudio 作为可视化合作伙伴参与了该项目。该项目探讨了折角立面空洞和观景点等概念。请审查同一竞赛的三个提案。
新阿尔绍瓦南波希亚画廊位于一个拥有超过 750 年传统的城市，周围有令人印象深刻的建筑和自然环境，旨在成为捷克布杰约维采居民和来自世界各地游客的动态市民空间。新画廊不仅提供了一个“记忆存储”的场所，还创造了一个开放的对话、灵感和创意表达的空间。外部的几何线条清晰的体量透明地展示了内部活动，并努力与周围环境互动。双层玻璃外立面反射出城市、广场和公园，旨在通过“借用”周围环境的反射和外立面来庆祝这个美丽的地点。建筑的外观在白天和夜晚以及四季之间会发生变化。在白天，外立面反射出周围建筑和旁边公园的景象，从春夏的绿色到秋天的色彩。夜晚，建筑内部的人们呈现为剪影，建筑则揭示了内部的活动。双层半透明的玻璃外皮包裹着展览画廊和储藏区的体量。公共空间形成在这些体量与包裹一切的玻璃外皮之间。其材料性展现出一种对比的敏感性：轻盈而飘渺，其半透明性向城市揭示了博物馆的活动。
☉ New Alšova Jihočeská Gallery is a proposal by M2R Arquitectos for České Budějovice Municipality in 2024. It is located in České Budějovice Czech Republic in a park setting. Its scale is medium with a surface of 5.671 sqm a budget of 31.750.000 € and a ratio of 5.599 €/sqm. Key materials are concrete and glass. Mania Estudio collaborated as visualizer. Concepts such as corner folded facade void and viewpoint are explored. Review the 3 proposals for the same competition.
Located in a city with over 750 years of tradition, boasting impressive architecture and surrounding nature, the new Alšova Jihočeská Gallery aspires to be a dynamic civic space for the residents of České Budějovice and tourists from around the world. The new Alšova Jihočeská Gallery presents an opportunity not only to create a place for «memory storage» but also an open space for dialogue, inspiration, and creative expression. Externally, the volume of pure geometric lines transparently reveals the activities within and strives to engage with its surroundings. The double glass facade reflects the city, the square, and the park, aiming to celebrate the beautiful location by «borrowing» reflections and facades from its environment. The building’s external appearance will change from day to night and throughout the seasons. During daylight hours, the skin reflects the surrounding buildings and the beside park, from the greens of spring and summer to the autumnal colors. At night, those inside the building appear as silhouettes, and the building reveals the activities within. The double translucent glass skin envelops the volumes of the exhibition galleries and storage areas. Public spaces are formed in the areas between these volumes and the glass skin that encases everything. Its materiality articulates a contrasting sensitivity: ethereal and light, whose translucency reveals the Museum’s activities to the city.