加泰罗尼亚巴洛克博物馆的新入口立面
下载所需积分: 5
有时会发生令人惊讶的巧合。在2003年至2011年期间，我们对位于桑特佩多尔的圣弗朗西斯科修道院进行了建筑干预，将其改造为一座礼堂。该项目是在一座建于18世纪的前修道院上进行的，只有教堂留存下来；修道院的翼楼和回廊已经消失。五年后，在曼雷萨，我们被委托开展了一个与之前相反的任务：对旧圣伊格纳修院进行干预，这是一个基于修道院结构的前修道院综合体，其巴洛克风格的教堂已经被拆除；只有围绕回廊的旧耶稣会学院的翼楼仍然存在。在这两种情况下，建筑干预是在缺少两个基本元素之一的建筑物上进行的；在目前的项目中，是旧巴洛克风格的教堂。
对旧圣伊格纳修院的新进入通道的建设被纳入整个建筑群的全面翻新项目中，该项目旨在对原有博物馆的空间进行合理化、更新和重新思考。计划中的干预措施应该使建筑物能够容纳加泰罗尼亚巴洛克博物馆和曼雷萨市历史博物馆。
关于建筑物新通道的项目提出了一组体量，其中包括了大厅的新空间以及博物馆展览楼层的主要新通道。新的体量放置在旧教堂的隔墙前，以一种方式布置，既允许形成建筑物的新立面，同时也使得能够观赏到留在隔墙上的旧教堂的最重要的痕迹。
建筑物新进入通道的干预旨在不仅仅解决旧耶稣会学院西立面的问题：干预提出了一种新的方式来理解建筑物及其城市环境。博物馆的新通道创造了一条路径，使人们可以欣赏到旧学院的关键元素 “回廊、拱顶或隔墙上的痕迹”、毗邻的城市空间 “圣伊格纳修广场和旧溪流的城市地形” 以及城市和景观遗产的重要元素 “哥特式大教堂拉塞乌、圣卡特琳娜防御塔或蒙特塞拉特山”。新通道所创建的路径在其最高点达到了一个俯瞰城市景观的看台。
总之，该项目旨在通过与耶稣会复杂建筑群的过去和城市重新建立联系，重新赋予干预地点和建筑本身以意义。
Sometimes surprising coincidences might occur. Between 2003 and 2011 we conducted the architectural intervention on Sant Francesc Convent , in Santpedor, to transform it into an auditorium. The project was carried out on a former convent built in the 18th century where only the church was remaining; the conventual wings and cloister had disappeared. Five years later, located in Manresa, we were commissioned to develop an inverse assignment from the previous one: an intervention on the Old Saint Ignatius College, a former religious complex based on a convent structure whose baroque church was demolished; only the wings of the old Jesuit college placed around a cloister remained. In both cases, the architectonical intervention was done on buildings amputated of one of its two essential elements; in the present project, the old baroque church.
The construction of the new accesses to the old Jesuit college is framed in the global renovation project of the entire built complex, which should grant to rationalize, refresh, and rethink the spaces of the preexisting museum. The planned interventions should allow the building to host Baroque Museum of Catalonia and Manresa’s City History Museum.
The project on the new accesses to the building proposes a set of volumes which include both the new spaces destined to the hall and the main new accesses to the exhibition floors of the museum. The new volumes, placed in front of the old partitioning wall of the church, are arranged in a way that allows the conformation of the new façade of the building but at the same time grant the sights to the most important footprints of the old church that remains on the partitioning wall.
The intervention in the new accesses of the building pretends to be more than just a solution for the west façade of the old Jesuit college: the intervention proposes a new way of grasping both the building and its urban surroundings. The new accesses of the museum create a pathway which allows to admire the sights to the key elements of the old college (the cloister, the barrel vaults or the footprints onto the partitioning wall), sights over the adjacent urban spaces (Sant Ignasi’s Square and the urban orography of an old creek) and, finally, sights to the significant elements of the urban and landscape heritage of the city (the gothic basilica of La Seu, the defense tower of Santa Caterina or the mountain of Montserrat). The path created by the new accesses culminates, at its highest point, in a bleacher that overlooks the urban landscape.
The project, in short, aims to re-mean both the site of the intervention and the building itself by re-establishing links with the past of the Jesuit complex and with the city.