水時敘事：30米的失落與重生
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年份：2023 学校：國立聯合大學 建築系 课题：水時敘事：30米的失落與重生 Water Chronicles: 30m of Loss and Rebirth 设计师：傅乙晟 指导老师：徐沛津 基地地址：中國台灣苗栗縣鯉魚潭水庫 类别：历史/文化空间/公共空间
鯉魚潭水庫, 其實埋藏著一支客家民族的發展片段, 牽扯著日本人與巴宰族泰雅族人等。當中有爭鬥的英勇與消亡、有明朗的故土、果園帶來的希望, 更有許多艱苦奮鬥的回憶。但一切都停止於水庫計畫的那天。
時過境遷, 這裡剩下落差30 米的水文消落帶,將作為一個載體, 建構一個能將霧、風和水融合於水面升降的建築場域。並且透過對自然的規律整理，我找出三個具有代表性的遺址,以不同的使用情況,形成呼應土地發展文本的三個場域:
故土迷宮位在代表史前文明及客家人首批協防平埔族開墾的網形區域遺址。對客家先民來說網形伯公是開墾時幫助他們安定迷失的載體,因此在這裡參與者將藉由看見伯公的參照物,逐漸在迷宮內找到埋藏村莊的方向,如同體驗開墾時由迷失到明朗的土地情懷。
糾葛茶室位在客家人和泰雅族爭鬥的隘勇線旁,兩側的合院上。像是時空上不曾有關係的和院,將因為風的牽動開始轉向、干擾、紛亂、合併,隱喻一段客家人與泰雅族的爭鬥歷史。最後在中庭可以共享一壺代表好客的柑橘茶,就像和解後的和平時代。
釋懷浴場講述淹沒重生的故事,位於過去通向新開村半路上的將軍廟。就像一個連結新舊的節點,參與者將可以回到此處陪伴本就泡水的將軍廟。並透過水位的變動，紀念繁榮時代的淹沒消逝。最終,在11月到2月水退去後,所有參與者可以面向新開村,透過如同與水碰撞的泡澡儀式釋懷。
因水開始的時間序列被轉化為具有敘事性的巡禮空間,使人們能夠串聯起所有曾發生於新開村背後的故事與文化,感受在此發生的土地情感,理解居民與鯉魚潭水庫的瓜葛。 過去雖因水而止,如今將因水而起;水將重新帶動淹沒停滯的村落, 紀念故土, 並繼續將這段故事留存下去。
Underneath the Liyutan Lake Reservoir hides a history, blending the Hakka ethnic group, Japanese settlers, the Pazih tribe, the Atayal tribe. There were once tales of struggle, loss, hope, orchards, and homeland. However, the reservoir project brought it all to a halt.
Now, what remains is the Water-level-fluctuation zone with a 30-meter drop. Here, the mist, wind, and the rise and fall of water create a rhythmical narrative space. Three zones echo land development stages by offering diverse uses.
The three designs are described below:
The Native Land Maze is located at the site representing the network-shaped area where the prehistoric civilization and the Hakka people first collaborated with the Pazih tribe in reclaiming the land. To the Hakka ancestors, the network-shaped Bo Gong (God of Land and Wealth) served as a carrier that helped them find stability in their lost state during the reclamation. Therefore, participants will gradually find the direction of the buried village within the maze by referencing Bo Gong's landmarks, just as they experience the transition from being lost to clarity in the land's sentiments during the reclamation.
The Entangled Teahouse is situated next to the contested front line between the Hakka people and the Atayal tribe, on the courtyards of both sides. Like two courtyards unrelated in time and space, they will begin to turn, interfere, disorder, and merge due to the influence of the wind, symbolizing a period of history marked by the conflicts between the Hakka people and the Atayal tribe. Finally, in the central courtyard, they can share a pot of citrus tea, symbolizing the hospitality and peaceful era that follows reconciliation.
The Relieved Bathhouse tells the story of submersion and rebirth, located on the path leading to the newly developed village, halfway to the General's Temple from the past. Like a node that connects the old and the new, participants can return to this place and accompany the submerged General's Temple, which was already immersed in water. Through the changing water level, it commemorates the prosperity of a bygone era that has been submerged and vanished. Ultimately, after the water recedes from November to February, all participants can face the newly developed village and find solace through a bathing ritual that mimics the collision with water.
By transforming the chronological sequence of water initiation into a narrative pilgrimage space, people can connect all the stories and cultures that have occurred behind the scenes of the newly developed village, feel the land emotions that have taken place here, and understand the relationship between the residents and Liuyutan Reservoir. While the past was halted by water, now it will rise again because of water. Water will revive the stagnant village, commemorate the homeland, and continue to preserve this story.