龙须菜亭子

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年份：2021 学校：Universidad San Sebastian 课题：Pelillo Pavilion 设计师：Paz Sandoval 指导老师：Sergio Araneda Maiz 基地地址：智利｜毛林 类别：文化、小型、区域、村庄

生产景观

Maullín Amortajado 岛生产性景观的建设环境的改变以及与海产品的护理和提取相关的法规的缺乏导致某些物种的灭绝，其中之一是 pelillo “Gracilaria chilensis”，一种原生红藻，分布于智利第四至第十区，通常用于生产粘合剂，例如琼脂。80 年代末，因大量开采，被誉为“黑金”。 问题与机遇 目前，整个社区都受到产品短缺和价格波动的影响，这导致家庭经济不稳定和寻找新的创收方式，搁置藻类收集并逐渐 活动的消亡。考虑到湿皮利洛和干皮利洛的销售价格差异很大，建议将皮利洛烘干，以通过一种允许增加干产品价值的结构形式来克服低产月份日益增长的家庭经济不稳定同时，使活动引人注目，从而可以保留藻类传统。项目的性质 该项目的性质是通过从自然状态中提出对景观中的象征性构造的需求，重新诠释领土和活动的现有元素，使活动得以展现，并对景观进行物理改造本身。 一个木制的亭子被提议作为收集 pelillo 的社区的工作和会议的核心。 这个展馆有效地集中了收集过程，并允许随着时间的推移以可持续和可维护的方式干燥 pelillo。 目标和目标

1. 重视并增强藻类活动
2. 突出与领土同步的当地景观之美景观和建筑语言的主要输入 开发能够在不破坏景观的情况下殖民景观的象征性建筑。
3. 将项目纳入更大范围 通过在地域范围内扩大项目以创造富有成效的景观，为当地经济和传统保护做出贡献。 理解并建立行为的物理符号和支持它的文化。

设计原则，这个展馆是如何建造的？

• 一个海上大厅，一个停靠点和集合点：一个独特的空间，观众和演员住在同一个地方； 藻类传统的文化表达者。
• 多才多艺的结构：在其“裸体”状态下，pelillo 是赞美它并将其打扮得“盛大”的服装。
• 抬高和暴露：它从地板上升起，躺在地上； 见证潮汐的变迁，它的收藏、晒干和后续的销售。
• 集体体验：基于零件生产及其后续组装的系统过程，它显示了涉及社区本身的人工和人类序列。
• 独立对象：无需维护，可灵活适应不同用途和新领域 ― 通过协作“mingas”旅行 “来自盖丘亚语，它定义了城镇居民为社区利益应完成的任务” ― 物理 地点
• 社区 该项目可以在蒙特港附近的四个景点进行部署和复制：Pelluhuín、Coihuín、La Pasada y Amortajado，以及土地条件非常相似的 Región de los Lagos 城镇。

案例研究位于 Amortajado 的 Maullín 南部，那里的大多数居民致力于海鲜和 pelillo 的开采。 如今，由于高度开发导致其天然床消失，因此种植了 pelillo。 附近是 Amortajado 湿地，由于其候鸟保护区而可能成为旅游胜地。 展馆的使用者是来自 Amortajado 岛的独立工人 Pescadores、artes、mar y algas 工会的收藏家 “其原始语言称为 Sindicato de trabajadores independientes、pescadores、artes、mar y algas de Isla Amortajado”。 目前，来自 Maullín 和 Amortajado 的 34 个收集合作伙伴组成的社区每月一次提取 30 吨 pelillo。 虽然这个项目是针对这个社区的，但它可以适应其他具有类似提取条件的社区的需求。 虽然展馆及其附属设施不需要大量安装工作，但项目的建设需要社区的合作。 必须将预定尺寸的零件安装并固定到位。 结论 pelillo 提取已经在当地文化和经济中建立起来，因此在依赖这项活动的家庭中也具有认同感。 重要的是要考虑如何创建赋予来源和活动价值的工具，其目的是在生产利益和保护利益之间实现更大的和谐与合作，涉及将它们组合在一起的所有过程、参与者和动态。 除了保持生产和生态特征外，融入景观的美学和社会文化元素对于可持续发展和长期维持活动至关重要。

尽管这个项目是为藻类活动而考虑的，但它可以在产量较低的季节调整为其他用途，并适应收集者本身和活动的外部参与者都参与的不同情况。 这样，我们就可以在这些社区的历史上翻开新的篇章； 新行为和记忆的先例。

Productive landscapes

The construction of the productive landscape in Amortajado Island, Maullín The environmental modifications and the lack of regulations related to the care and extraction of the marine products has led to the extinction of certain species, one of them being the pelillo (Gracilaria chilensis), a native red algae that can be found from the fourth to the tenth region of Chile and is commonly used for the production of binders, such as Agar-Agar. At the end of the 80s decade, it was known as “balck gold” due to its exploitation in large amounts. Problem and opportunity Currently, entire communities are affected by the shortage of the product and the fluctuation of its prices, which led to family economic instability and the search of new ways to create incomes, putting aside the collection of algae and giving rise to the gradual extinction of the activity. Giving the large price differences for the sale of wet pelillo and dry pelillo, it is proposed to dry the pelillo as a way to overcome the growing family economic instability in low production months through a form of structure that allows increasing the value of the dry product and, at the same time, makes the activity notable so the algae tradition can be preserved. Nature of the project The nature of this project is to make the activity show up and to make a physical transformation of the landscape by bringing out the need for a symbolic construction in the landscape from a natural state reinterpreting existing elements of the territory and the activity itself. A wooden pavilion is proposed as a core of work and meeting for the communities that collect the pelillo. This pavilion efficiently concentrates the processes of collection and allows to dry the pelillo in a sustainable and maintainable way over time. Goals and porpuses

1. To put in value and enhance algae activity
2. To highlight the beauty of the local landscape in sync with the territory Main input for the scenic and architectural language developing a symbolic architecture that is capable of colonizing the landscape without destroying it.
3. To insert the project into a greater circuit Contribute to the local economy and the preservation of the tradition by expanding the project on a territorial scale to create a productive landscape. Understanding and building a physical symbol of a behavior and a culture that supports it.

Principles of design, How is this pavilon build?

• A hall at sea, a stop-off and meeting point: an unique space where viewers and actors live in the same place; a cultural articulator of the algae tradition.
• Versatil structure: in its “naked” state the pelillo is the outfit that compliments it and dresses it up “gala”.
• Elevated and exposed: it rises from the floor, lays on the ground; witness the changes of the tide, its collection, drying and subsequent sale.
• Collective experience: based on a systematic process of production of pieces and its subsequent assembly, it shows an artificial and human sequence that involves the community itself.
• Independent object: without the need of maintenance, flexible to different uses and new territories ― travelling through collaborative “mingas” (from the Quechua language, it defines the task the inhabitants of a town should do for the benefit of the community) ― Physical location
• Community The project can be deployed and replicated in four points of interest near Puerto Montt: Pelluhuín, Coihuín, La Pasada y Amortajado, and in towns of the Región de los Lagos where the land conditions are very similar.

The case study is located south of Maullín in Amortajado, where most of the inhabitants are dedicated to the extraction of seafood and pelillo. Nowadays, the pelillo is cultivated since high exploitation led to the disappearance of its natural beds. Nearby is the Amortajado wetland, potentially touristic due to its migratory birds sanctuary. The users of the pavilon are the collectors from the trade union of independent workers Pescadores, artes, mar y algas from Amortajado Island (in its original language known as Sindicato de trabajadores independientes, pescadores, artes, mar y algas de Isla Amortajado). Currently, a community of 34 collecting partners from Maullín and Amortajado extract 30 tons of pelillo once a month. Although this project is focused on this community, it can be adapted to the needs of other communities with similar extraction conditions. Whereas the pavilion and its accessories do not require major installation efforts, the construction of the project needs the cooperation of the community. Pre-sized parts must be installed and fixed in the place. Conclusions The pelillo extraction has been established in the local culture and economy, therefore in the identity of the families that rely on this activity. It is important to think about how to create instruments that give value to the source and activity in a way that it aims at greater harmony and cooperation between productive and conservation interest, involving all the processes, actors and dynamics that put them together. Besides maintaining the productive and ecological characteristics, incorporating aesthetic and socio-cultural elements of the landscape is essential for sustainable development and maintaining the activity in the long term.

Even though this project was thought for the algae activity, it can be adjusted for other uses in less productive seasons and adapted to different situations where both the collectors themselves and external actors to the activity are involved. In this way, we can begin a new chapter in the history of these communities; a precedent of new behaviors and memories.

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