活神之教堂
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建筑的形态是对其作为礼拜场所与住宅公寓结合使用的回应。
该建筑试图向街道展示一个具有重要公共用途和体量的建筑。通过水平的混凝土线条，建筑的体量感得以减弱。这样所呈现的形态被认为是适合并与周围环境在规模上保持一致的。同时，它也与这一环境保持一定的距离。
少量但大型的窗户开口使得建筑的体量在街道上显得尤为突出。这种设计带来了简约感；在复杂的住宅立面背景下形成了一种“宁静的外立面”。这种美学对比适合混合用途，同时也使得在街道上形成了一个更简单、更“视觉上安静”的提案，与相邻建筑相比显得更为恰当。
在形态的背景下，材料的组成和施工方法发挥了重要作用，这也影响了街景中的比例感。
东侧和西侧立面采用了高度精细的材料表现，并通过服务核心的微妙突出对形态进行了精心的处理。南侧立面则设有一个开放的景观庭院，允许光线进入建筑的中心。整个构图旨在呈现为一个单一的公共建筑体量。
内部序列的设计旨在营造宁静，提升礼拜者的安宁感和静谧感。
The built form is a response to the building’s use as a place of worship in conjunction with residential apartments.
There is an attempt to present a building of significant public use and mass to the street. The notion of bulk is reduced with a horizontal composition of concrete lines. In this way, what is offered is something considered appropriate and consistent to the context as to scale. It is also something that remains apart from this same context.
The punctuation of few but large window openings enable a predominance of mass to represent the key character of the form at the street. This enables simplicity; a ‘quiet façade’ in the context of the complex residential facades at the street. This aesthetical contrast is suited to the mixed-use but also enables the appropriate punctuation at the street of a simpler, ‘visually quieter’ proposal when compared to the adjacent forms.
In the context of form, the material composition and construction methodology play a significant role and this affects the sense of proportion in the streetscape also.
The east and west façades incorporate highly articulated materiality and careful manipulation of form through subtle extrusion of the service cores. The southern façade incorporates an open landscaped courtyard which allows light into the centre of the building. The entire composition is designed to present as a mass which is a singular public building.
The interior sequence is arrived to develop calm and elevate the worshipper’s sense of repose and quietness.