麓湖漂浮总部办公
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浮动总部项目是成都麓湖生态城开发的一部分，位于生态城的北缘，融入住宅区，坐落在湖畔半岛旁。浮动总部由十一栋独立的办公楼组成，围绕着三个庭院。
设计的意图是创造一个宜人的空间。我们都同意，在城市社区中最美丽的时刻和事件就是人们在公共空间相遇和交往的时候。在这个项目中，我们希望建造一个能够增强当代城市最迷人方面的环境，设计一个可以激发租户和居民开启新生活方式可能性的空间。在浮动总部内创造的丰富的自然景观和公共空间提供了这样的机会。
建筑概念源于对两种不同且精心策划的空间组织的探索：一种是一系列水平庭院的设计，另一种是一种在各个层次上具有绿色空间的垂直循环系统。
水平方向上，三个庭院定义了被办公楼环绕的空间的特征。这三个庭院分别是垂直庭院、树庭院和水庭院。它们按顺序排列，连接了地块的南北两侧。每个庭院都有一个统一的立面网格模式，定义了建筑的整体结构和外观。立面的不同网格模式根据它们对城市背景或庭院的朝向和位置进行进一步完善和调整。
最北端的庭院，即所谓的“垂直庭院”，靠近城市。对于面向城市街道的立面，我们使用了铝板覆盖和混凝土砌块，它们的调色板和质感唤起了一种工业质感。这里引入了丰富的垂直循环系统和下沉花园，为地面层带来了活力和多样性，同时平滑了周围街道与办公楼内更私密的内部之间的过渡。第二个庭院，即“树庭院”，是项目最大的开放式景观空间，位于建筑群的中心。它的立面覆盖有木材覆盖和垂直绿化，以营造自然环境。
沿着地形向南倾斜，第三个“水庭院”被构想成一个宁静而宁静的环境。对于立面，我们选择了玻璃砖，半透明且对光线敏感，以营造一种宁静的建筑氛围，回应水的自然透明度。在架空的办公楼结构下方，宽敞的开放区域设有清澈的水域。我们希望建筑物能够在水域上方以不同的高度漂浮，以便当微风吹过液体表面时，也有助于通风和微调建筑物的微气候。
垂直方向上，将建筑物抬高于地面的策略允许在其下创建大面积的开放区域和下沉花园。这一手势使整个十一栋办公楼看上去像是漂浮在地形上。这种建筑的“飘浮”不仅减轻了由围绕建筑体
量的体积引起的幽闭感，而且首先缓解了建筑体积的形态和城市尺度之间的过渡。在这十一栋建筑物下方创造一系列公共空间邀请城市及其居民进入项目。
我们还特别关注了建筑物侧墙之间的区域，因为这些区域在设计和外观上通常相当沉闷。与其把它们视为剩余空间，不如将环绕消防楼梯的区域设计成相互连接的绿色空间的集合。
每个独立办公塔楼的设计始于对最大可用楼层面积的理解，考虑到两个相邻侧墙之间放置了一组外部消防楼梯。这导致了一种在建筑物之间共享的垂直公共空间系统。这些空间都设有室外露台和垂直种植，同时符合防火疏散的要求。作为垂直循环系统的一部分，这些相互连接的绿色簇从地下花园和庭院开始，沿着侧墙蜿蜒而上，一直延伸到每栋办公楼的屋顶。
通过浮动总部，我们希望创造一个人们相聚的地方，一个庆祝人与人、城市与自然关系的地方，无论是在水平还是垂直方向。
The Floating Headquarters project is part of the Luxelakes Eco City development, located in Chengdu. Positioned on the Eco City’s northern edge the project is integrated in the residential area and sits beside a lakeside peninsula. The Floating Headquarters consists of eleven standalone office buildings enclosing three courtyards. The intention of the design was to create a welcoming space. We can all agree that the most beautiful moments and events taking place in an urban neighborhood are when people meet and mingle in public spaces. In this project we wanted to construct an environment able to enhance this most charming aspect of a contemporary city, to design a space where tenants and residents can be stimulated to unlock new lifestyle possibilities. The abundance of natural landscapes and public spaces created within the Floating Headquarters provides such opportunity. The architectural concept stems from the exploration of two distinct and carefully planned spatial organizations: one is the design of a series of horizontal courtyards, the other is devised as a system of vertical circulations featuring green pockets at various levels. Horizontally, three courtyards define the character of the spaces enclosed by the office buildings. These three enclosures are called the Vertical, Tree and Water courtyard. They are placed in sequence and connect the North with the South of the plot. Each courtyard has a unified grid pattern of facades that define the buildings’ overall structure and appearance. The different types of grid pattern for the facade are further refined and adapted according to their orientation and positioning towards either the urban context or the courtyards. The most northern courtyard, the so-called “Vertical Courtyard”, is positioned close to the city. For the facade facing the urban street, we used aluminum cladding and concrete blockworks, their palette and texture evoking an industrial quality. A rich combination of vertical circulation systems and sunken gardens is introduced here, bringing vibrancy and diversity to the ground level while smoothening the transition from the surrounding streets to the more private interiors inside the office buildings. The second courtyard, the “Tree Courtyard”, is the project’s largest open landscaped space and located in the center of the building cluster. Its facades are covered with wood cladding and vertical greenery so to generate a natural environment. Following the terrain’s downwards slope towards the south, the third “Water Courtyard” is conceived as a tranquil and serene environment. For the facades we chose glass bricks, translucent and sensitive to light, so to create a soothing architectural atmosphere echoing the water’s natural transparency. Below the elevated office structures, the generous open areas feature crystal clear water parties. We wanted the buildings to float above the water at various heights so that when a gentle breeze stirs ripples across the liquid surfaces it also helps to ventilate and fine-tune the buildings’ microclimate. Vertically, the strategy of raising the buildings above the ground allows for large open areas and sunken gardens to be created underneath. This gesture gives the overall impression of the eleven office buildings appearing to float above the terrain. This act of architectural levitation not only mitigates the potential feeling of claustrophobia, imposed by the encircling building volumes, but first and foremost softens the transition between the massing of the architectural volumes and the scale of city. The creation of a series of public spaces underneath the eleven buildings invites the city and its habitants into the project. We also paid special attention to the areas located in-between the buildings’ sidewalls since these are commonly rather muted in their design and appearance. Rather than treating them as leftover spaces, the areas surrounding the fire safety stairs feature interconnected pockets of green space. The design for each individual office tower started with the understanding of the maximum usable floor areas, given that one set of external fire stairs is placed in-between two neighboring sidewalls. This resulted in a system of vertical public spaces shared in-between the buildings. These spaces all feature outdoor terraces and vertical plantings, while complying with fire egress requirements. Part of the vertical circulation system, these interconnected green clusters climb from the subterranean gardens and courtyards upwards, meandering along the sidewalls all the way up to the rooftop of each office building. With the Floating Headquarters, we wanted to create a place where people meet, a place where relationships between people, city, and nature are celebrated, horizontally and vertically.