国际象棋青少年中心
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如何创造一些连街头流浪儿童都觉得酷的东西？
通过将一座破旧的工厂改建成为一个基地营地，移民青年们得到了一个远离街头的替代去处。Sjakket作为一个社区中心主要服务于移民青年，因此在该地区扮演着重要的角色，因为它让惹事的人远离街头，激发并教育他们。Sjakket位于哥本哈根郊区之一，位于一个以低收入家庭和移民家庭为主的工业化社区。这里密集地分布着老建筑区，但也因为周围更多的工业企业而显得有所凸显。
外墙和结构墙面受到严格的保护规定。这座前工厂的宽敞的拱顶空间被赋予了新的功能——一个被填满，另一个则被清空。一个半管日光露台被夹在两个拱顶之间。这个高高的露台在很多方面都是孩子们的秘密绿洲。从升高的露台进入“贫民区噪音”音乐录音室，它横跨在两个拱顶之上，就像哥本哈根周围港口景观中无处不在的集装箱之一。录音室是唯一的建筑增加部分，也是Sjakket的标志，标志着中心在哥本哈根西北工业化天际线上的存在。
一个拱顶空间被清空出来，用于容纳一个巨大的运动馆，而另一个则容纳更加私密的项目。南面的拱顶完全向着庭院敞开，通过三扇大型工业规格的车库门将室内空间延伸到城市领域。通过各种不同的拱顶空间的多功能特性，最能体现中心的多功能特性，一个完全用于体育活动，而另一个可以用于音乐会或共同活动等活动。
Sjakket的翻新主要目的是创建一个能够服务于许多不同功能和年龄群体的地方，但最重要的是能够做出积极、明亮的宣言，为该地区服务。通过听取中心的用户和领导以及周围邻居的意见，重点放在了整合而不是排斥，许多移民青年在新家中感受到排斥。
建筑物的翻新方式尽可能地融合了现有建筑，并为使用Sjakket的年轻人叠加了一个未来主义和明亮的环境。以前的工业建筑作为当前城市街头文化的背景，如保存的涂鸦和建筑物内的丰富色彩所示。涂鸦没有被清除，而是成为了在确定色彩方案时的灵感源泉。外部窗户每个都有不同色调的颜色，从红色到蓝色不等。因此，通过色彩，在涂鸦一代和引导他们通过Sjakket活动的一代之间建立了一座桥梁。
How do you create something that even street kids would find cool?
By converting a run down factory into a base camp, the immigrant youth are given an alternative place to go off of the streets. Sjakket serves as a community centre to mainly immigrant youth, and as such it serves a significant role in the area, because it keeps the troublemakers off the street and activates and educates them. Sjakket is situated in one of the outer lying neighborhoods of Copenhagen, in an industrialized neighborhood which is mainly populated by lower income households and immigrant families. It is densely populated with older building blocks, but also embossed by the fact that it is surrounded by more industrialized businesses.
The exterior gables and structural walls were subject to strict rules of preservation. The generous barrel vaulted spaces of the former factory are given new functions – one filled, the other emptied. A half pipe sun deck is wedged between the two vaults. This raised terrace is in many ways a secret oasis for the kids. Accessed from the raised terrace is the ‘Ghetto Noise’ sound studio which bridges over the two vaults, like one of so many containers which are so ubiquitous in the surrounding harbor landscape of Copenhagen. The studio is the only architectural addition, as well as Sjakket’s icon announcing the centre’s presence upon the industrial skyline of Northwest Copenhagen. One of the vaulted spaces is gutted to make room for a vast sports hall, whereas the other accommodates more intimate program. The vault to the south opens up entirely to the courtyard beyond through three large industrial sized garage doors extending the interior into the urban realm. The centre’s multi-functional character is best illustrated through the varied use of the vaulted spaces, one is held completely empty for sporting events, whereas the other one can be used for activities, such as concerts or communal activities. The areas between the vaults is reserved for the kitchen, bathrooms, and sports equipment storage.
The refurbishment of Sjakket’s main purpose is to create a place that serves many different functions and age groups, but most importantly could make a positive, bright statement that would serve the area. By listening to the centre’s users and leadership as well as surrounding neighbors the focus was set on integration rather than alienation which many immigrant youth feel in their new home.
The buildings are renovated in a way to incorporate as much of the existing buildings as possible and overlaying a futuristic and bright environment for the young people who use Sjakket. The former industrial buildings serve as a backdrop to the more current urban street culture as seen in the preserved graffiti and the rich use of color throughout the building. Instead of removing the graffiti, it became a source of inspiration when figuring out the color scheme. The exterior windows each have a different tone of color spanning from red to blue. Thus through color a bridge was built between the generation of graffiti and the generation that is guiding them through Sjakket’s activities.