OLMO
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Olmo是一座位于瑞士阿尔卑斯山脉斜坡上的农舍，俯瞰着Orobie山脉和松德里奥市。该项目位于一座历史悠久的建筑内，该建筑已闲置多年，所有设计选择都旨在尊重原有结构的类型特征，即使在需要插入新元素的地方也是如此。平面布局围绕着楼梯间展开，楼梯间保持完好，纵向贯穿整个建筑。建筑的两侧在地下室有两间非常古老的当地石材酒窖，底层分别设有早餐室和技术服务及厨房，而其他三层则为卧室。新建的阁楼外部采用与现有建筑相同的材料，内部一半被一间双倍于其他房间的单人房占据，该房间的山墙有一个缺口，并设有一扇大型观景窗。
对场所采取温和的干预意图，使用户能够感受到地方传统所传达的氛围，这种传统与共享的国际风格规范相脱离。考虑到这一点，涉及翻新的许多材料选择都得到了确定，从水泥砂浆抹灰、基座的颗粒度、河流铺面类型，到地板上的彩色水泥瓷砖、窗户和门的材料等等，每一项选择都经过深思熟虑。与客户共同分享的意愿是，尽量通过技术舒适性使结构可用，同时努力不改变这种古老建筑所能传达的感知状态。
Olmo is a farmhouse located on the slopes of the Rhaetian Alps in a panoramic position overlooking the Orobie Alps and the city of Sondrio. The project is developed inside a historic building that has been in disuse for many years and all the design choices were determined by the desire to respect the typological character of the pre-existing structure, even where new elements had to be inserted. The planimetric setting develops around the stairwell, left intact, which longitudinally involves the plant. The two sides of the building are interested in the basement by two cellars in local stone of very ancient origin, on the ground floor respectively by the breakfast room and by the technical services and kitchen, while on the other three floors by bedrooms. The newly built attic, treated on the outside with the same materiality as the existing one, is half occupied by the single room of double size compared to the others characterized by a breach at the gable and a large panoramic window. The intention to act with delicacy towards the place has the will to make the user perceive the atmosphere that the vernacular tradition, detached from the shared international stylistic canons, can convey. With this in mind, the many material choices that involved the renovation were determined, from the cement mortar plaster, to the granulometry of the plinth, to the type of river pavement, to the colored cement tiles in the floors, to the material of the windows and doors and so on. away for every choice. The will, shared with the client, was to try to make the structure usable through technological comforts, trying not to alter the perceptual state that this kind of ancient building can transmit.