LULU
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LULU是一个位于里斯本圣托斯区的早期19世纪建筑的一楼，占地约170平方米的酒吧和餐厅项目。
功能性方案包括酒吧区，设有座位和服务柜台；顾客区，设有座位和舞池；顾客卫生设施；以及技术区域，如厨房、食品储藏室和储藏室等，这些区域访问受限。
提案的初始想法是将技术方案插入空间的次要区域，没有自然光线，并靠近现有的庭院，以便安装空调和通风设备。至于酒吧的位置，考虑到了面向入口的解决方案，入口正对着餐厅的主立面，既作为等待区，也作为顾客服务区。
通过这种安排，空间的“核心”保持了空间的大面积和高天花板的使用，以供顾客使用。考虑到地块本身的几何形状，创造了两个具有不同环境的房间，旨在增加使用的多样性。第一个房间与主立面相邻，以其强烈的自然光线进入和对公共通道的清晰可见性而特点突出，因为以前不透明的百叶窗已被商店窗户式开口所取代。设计了沿边墙的固定L形沙发，与可以自由组合的个体桌相结合；在外部开口旁边，放置了供更私密使用的双人桌。对于第二个房间，室内环境受到自然光的限制，通过放置一个单一宽敞的沙发，创造了一个更加轻松的环境，其流畅有机的设计能够简化空间的使用。以DJ台为中心，低矮桌和独立的脚凳点缀，这个房间可以自由使用，介于酒吧和舞池之间。
顾客卫生间位于附属体积中，毗邻建筑物的西立面，可通过一段内部楼梯进入。
至于项目所寻求的氛围，意图是创造一个受到1920年代艺术时期启发的空间，具体来说是装饰艺术风格 - 如同餐厅的名字所体现的女演员路易丝·布鲁克斯。我们试图通过对细节的详尽关注和对纹理、颜色和表面的精心选择，发展对这一运动审美特征的新诠释。天然石地板的几何图案、有节奏的漆木板或有色镜面的多面表面增加了图形、光线和感官强度的各种维度。通过引入植物软化或通过有色霓虹灯的节奏严厉增强，装饰在空间的整体氛围平衡中发挥了至关重要的作用，旨在略带怀旧但同时又是最新的。
色彩调色板 - 粉红色、深绿色和白色 - 是基于主立面的颜色，从而在室内和室外之间建立了强烈的视觉联系。每种颜色的使用也经过了精心衡量，创造了各个空间中某种颜色占优势的时刻，从而标志着每个空间的功能。还有精心设计的人工照明，通过控制系统，在白天和夜晚的不同情景之间进行更改，并因此使空间完全改变，从而为每种使用提供了丰富、包围和特定的氛围。
LULU is a bar and restaurant project with approximately 170m2, inserted on ground floor of an early nineteen century building, located in the Santos parish, in Lisbon.
The functional programme includes a bar area, with seating and service counters; a customer area, with seating and a dance area; customer sanitary facilities; and technical areas with restricted access, such as the kitchen, pantry and storage.
The initial idea of the proposal was to insert the technical programme in the secondary areas of the space, without natural light and close to the existing patios, in order to enable the installation of the technical equipment for air conditioning and ventilation. As regards the positioning of the bar, was considered a solution facing the entrance, which faces directly on to the restaurant’s main façade, serving both as a waiting and customer service area.
Through this arrangement, the “core” of the space, which is large and with a generous ceiling height, remained free for the use of customers. Given the geometry of the lot itself, two rooms with distinct environments were created, aiming for greater diversity of use. The first one, adjacent to the main façade, is characterised by the strong entry of natural light and clear visibility to the public thoroughfare, since the previously opaque shutters have been replaced by shop-window type openings. A fixed L-shaped sofa was designed along the bordering walls, which combines with individual tables that can be freely grouped; next to the exterior openings, two-person tables have been placed for more intimate use. For the second room, an interior one with limited natural lighting, a more relaxed environment has been created, through the positioning of a single ample sofa that, with its fluid organic design, is able to streamline the use of the space. With a central focus on a DJ table and punctuated by low tables and separate poufs, this room can be used freely, somewhere between a bar and a dance floor.
The customer toilets were placed in the annexed volume, adjacent to the western façade of the building, and these can be accessed via a flight of internal stairs.
As far as the ambience sought for the project, the intention was to create a space inspired by the artistic period of the 1920s and specifically in an Art Deco style - as personified in the figure of the actress Louise Brooks, who gives the restaurant its name. We tried to develop a new interpretation of the aesthetic characteristics of this movement, through exhaustive attention to details and the careful selection of the textures, colours and finishes. The geometric patterns of the natural stone floor, the rhythmic lacquered wooden slats or the multifaceted surfaces in coloured mirror add various dimensions of graphic, luminous and sensorial intensity. Softened by the introduction of vegetation or intensified by the rhythmic harshness of coloured neon lights, the decoration has played an essential role in the balance of the general ambience of the space, which was intended to be somewhat nostalgic but simultaneously up-to-date.
The colour palette - pink, dark green and white - was based on the colours of the main façade, creating a strong visual connection between the interior and the exterior. The use of each of these colours was also measured, creating various moments in which a certain colour is predominant, thereby marking the function of each space. There is also meticulous artificial lighting which, through a control system, provides for changes between various scenarios and, consequently, a total alteration of the space throughout the day and night, resulting in an exuberant, enveloping and specific atmosphere for each use.