艺象满京华美术馆
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MJH画廊从鸿华染厂的包装车间改建而来，其概念是通过 “重新” 构建这座空置建筑的空间叙事。新的建筑结构独立地植入到旧车间的原始内部地面上，原来的车间被视为一个大型的混凝土开放式亭子，以便将新的多层次的空间/时间逻辑建立到工业遗迹中。
画廊的内核空间，即主展厅，位于老建筑的中心黑色钢箱内，位于其特殊的双层天窗下，为展览空间提供柔和的漫射顶部光线。封闭的展览箱通过两个半玻璃大厅与一楼相连。几个独立的功能块，一方面支撑着抬高的主展厅，另一方面定义了包括入口展厅、礼堂、艺术商店和相关可分割的多功能空间在内的地面空间和功能。一楼在所有方向向鸿华染厂的原始地面以及周围的自然景观开放。
画廊的主入口采用半开放的T形混凝土箱，位于车间南端的原始入口处，面对的是从工厂废弃的过滤池改造而成的景观水池。从地形设计的一系列景观墙、人行道和车辆坡道链接到画廊的主入口，再到连接郊区道路的下层广场。从广场到画廊的这条景观路径在自然和人工构筑物之间、工业和后工业景观之间绕道，通过这条路径，人们可以体验和记忆该场地历史的整个时间线。
Formerly the packing workshop of Honghua Dying Factory, MJH Gallery was conceptualized from (re-)structuring the spatial narratives of this vacant building. The new architectonics was independently implanted onto the original inner ground of the old workshop, which was regarded as a large open concrete pavilion, in order to build the new multi-layered spatial/time logic into the industrial relic.
The inner core space of the gallery, the main exhibition hall, is lifted up in a black steel box in the center of the old building, under its special double-roof skylight, which gives gentle diffused top-light to the exhibition space. The enclosed exhibition box connects to the ground floor via two semi-glass halls. Several free-standing functional blocks, on the one hand, support the elevated mail hall, and on the other, define the ground space and functions that contain an entry show room, an auditorium, an art shop and related divide-able multifunctional spaces. The ground floor is open in all direction to the original ground of the factory, as well as to the surrounding natural landscape.
The main entrance of the gallery, with a half-open T-shape concrete box plugged-in, uses the original entrance on the south gable of the workshop, confronting a landscape pool that converted from the abandoned filtering basin of the factory. A sequence of landscaping walls, pedestrian and vehicle ramps cultivated from the topography were designed to link the gallery’s main entrance to the lower plaza that connects the suburban road. This landscape path from the plaza to the gallery detours between nature and artefacts, industrial and post-industrial landscape, through which, one could experience and memorize the whole time line of the site’s history.