唐马德赖登街
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唐马仓库 “Donmar Warehouse” 是位于伦敦考文特花园的一家领先的制作剧院公司。该剧院在附近的德赖登街 “Dryden Street” 收购了一座小型19世纪仓库建筑，并委托霍沃斯·汤普金斯 “Haworth Tompkins” 对其进行改造，以用于排练、教育和支持设施。
设计的挑战在于在有限的预算和紧凑的场地限制下，创造一个友好且富有创意的专业工作环境。
通过拆除现有楼层、扩展屋顶空间和重新规划流通路线，新设施提供了一个双层高的排练室，其大小与主唐马舞台相似，还有一个面向街道的休息室、行政办公室、位于屋顶桁架中的大型教育工作室，以及一个为来访艺术家准备的新阁楼公寓。
剥离和部分拆除的墙壁和天花板保持原始状态，作为唐马工作生活的合适戏剧背景，而由霍沃斯·汤普金斯的常驻合作艺术家安东尼·马林诺夫斯基 “Antoni Malinowski” 手绘的新多色楼梯则成为建筑的温暖核心。场景设计师和制作设计师露西·奥斯本 “Lucy Osborne” 在装饰和家具方面进行了紧密合作，强化了剧院制作与建筑项目之间的集体感。
与霍沃斯·汤普金斯在现有建筑中的许多创意工作空间一样，历史建筑的个性被允许设定基调，新附加部分采用临时、松散的语言，建立了新旧之间流动、适应的关系。所添加的材料简单明了——白色涂层的胶合板、涂漆木梁和墙面覆盖物、打蜡的低碳钢——以补充原有表面的丰富质感。目标是实现一种温和的占用，而不是对原始结构的消灭。
霍沃斯·汤普金斯的董事史蒂夫·汤普金斯 “Steve Tompkins” 表示：“德赖登街项目是从普通伦敦建筑中挖掘最大创意潜力的联合努力，预算紧张。与乔西·鲁尔克 “Josie Rourke” 及其团队的合作非常愉快，再次与艺术家安东尼·马林诺夫斯基的持续合作是设计的核心。”
唐马仓库的艺术总监乔西·鲁尔克表示：“德赖登街对唐马的生活产生了立竿见影的变革效果。建筑温暖、冒险和务实的精神改变了我们的工作生活。房间里有一种慷慨和家庭般的氛围，建筑极大地邀请创造力和沟通。每个人上班时都更加快乐，而在建筑中工作的艺术家们在我们第一个月里对这种氛围感到非常高兴。”
The Donmar Warehouse is a leading producing theatre company located in London’s Covent Garden. Having acquired a small 19th Century warehouse building in nearby Dryden Street, the theatre asked Haworth Tompkins to convert it for rehearsal, education and support facilities.
The challenge was to design a convivial and creative professional working environment within the constraints of a limited budget and a tightly enclosed site.
By removing existing floors, extending the roof space and re-planning the circulation routes, the new facility yields a double height rehearsal room of a similar size to the main Donmar stage, a street fronting green room, administration offices, a large education studio in the roof rafters and a new attic apartment for visiting artists.
Stripped back and partially demolished walls and ceilings have been left raw as a suitably theatrical backdrop to the Donmar’s working life, with a new polychromatic staircase, hand painted by Haworth Tompkins’ regular collaborating artist Antoni Malinowski, as the warm heart of the building. Scenographer and production designer Lucy Osborne has collaborated closely on finishing and furnishings, reinforcing the collective sense of a theatre production as much as a construction project.
As for many of Haworth Tompkins’ creative working spaces in existing buildings, the personality of the historic architecture has been allowed to set the tone, with a provisional, loose-fit language of new additions setting up a fluid, adaptable relationship of new and old. Materials added have been simple and straightforward - whitewashed plywood, painted timber beams and wall coverings, waxed mild steel - to complement the richly patinated texture of the found surfaces. The aim is very much for a benign occupation rather than an obliteration of the original fabric.
Steve Tompkins, Director of Haworth Tompkins said: "The Dryden St project has been a joint exercise in wringing the maximum creative potential from an ordinary London building on a tight budget. Working with Josie Rourke and her team has been great fun and, once again, our ongoing collaboration with artist Antoni Malinowski is central to the design.”
Josie Rourke, Artistic Director, Donmar Warehouse said: "Dryden Street has had an immediate, transformative effect on the life of the Donmar. The warm, adventurous and pragmatic spirit of the building has changed our working lives. There is a generous and familial spirit to the rooms, and the building is a great invitation to creativity and communication. Everyone goes into work that bit happier, and artists working in the building have - in our first month - been overjoyed with the atmosphere.”