托尔尼耶利宫
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18世纪历史住宅的华丽、雕饰和晚期巴洛克风格的家具，与两个相连的房间的亲密与宁静的氛围形成对比，这两个房间之间由一条秘密通道分隔。
位于历史悠久的18世纪住宅——托尔尼耶利宫 “Palazzo Tornielli di Barengo” 的小庭院中的两个房间，被改造成同一建筑内一家大型律师事务所的延伸。主房间的华丽、雕饰和晚期巴洛克风格的家具，与这两个房间的亲密与宁静的氛围形成对比，这些房间专门用于更私密的会议和聚会，也用于需要更大隔离以便于不同类型集中工作的时刻。这一功能几乎是在项目中建立的，因为客户在一次简短的初步简报后，将空间使用的塑造挑战留给了设计师，要求他们设计出能够提升现有空间的家具和夹层。某种程度上，我们敢于说，在这种情况下，功能跟随了形式，尽管这一过程在许多方面经历了相反的情况。
该项目通过橡木家具的设计，建立了一系列元素 “夹层、楼梯、书柜、储物柜” 之间的 “共同” 关联，这些元素主要沿着周边布置，根据相互需求的原则。第一个区域专门用于接待和等候，覆盖着抹灰拱顶，并设有一个容器楼梯，通往一个带有低矮书架和座位的夹层，供咨询使用。
底部的书柜以快速而规律的节奏设计，源于夹层结构。一个包含服务和储藏室的门廊木作墙面通向主房间，该房间的原始装饰 “地面上有框架和裸露砖的拱顶” 与现代家具设计的风格保持对话。
18世紀歷史住宅的華麗、雕飾和晚期巴洛克風格的家具，與兩個相連的房間的親密與寧靜的氛圍形成對比，這兩個房間之間由一條秘密通道分隔。
位於歷史悠久的18世紀住宅——托爾尼耶利宮 “Palazzo Tornielli di Barengo” 的小庭院中的兩個房間，被改造成同一建築內一家大型律師事務所的延伸。主房間的華麗、雕飾和晚期巴洛克風格的家具，與這兩個房間的親密與寧靜的氛圍形成對比，這些房間專門用於更私密的會議和聚會，也用於需要更大隔離以便於不同類型集中工作的時刻。這一功能幾乎是在項目中建立的，因為客戶在一次簡短的初步簡報後，將空間使用的塑造挑戰留給了設計師，要求他們設計出能夠提升現有空間的家具和夾層。某種程度上，我們敢於說，在這種情況下，功能跟隨了形式，儘管這一過程在許多方面經歷了相反的情況。
該項目通過橡木家具的設計，建立了一系列元素 “夾層、樓梯、書櫃、儲物櫃” 之間的 “共同” 關聯，這些元素主要沿著周邊布置，根據相互需求的原則。第一個區域專門用於接待和等候，覆蓋著抹灰拱頂，並設有一個容器樓梯，通往一個帶有低矮書架和座位的夾層，供諮詢使用。
底部的書櫃以快速而規律的節奏設計，源於夾層結構。一個包含服務和儲藏室的門廊木作牆面通向主房間，該房間的原始裝飾 “地面上有框架和裸露磚的拱頂” 與現代家具設計的風格保持對話。
The magnificence, the stuccos and the late Baroque furniture of an 18th century historical residence are counterpointed by the intimate and calm atmosphere of two rooms in sequence, separated by a Passage Secret
Two rooms in the smaller courtyard of a historic 18th century residence, Palazzo Tornielli di Barengo, were transformed into an extension of a large law firm located in the same building. The magnificence, the stuccos and the late Baroque furniture of the main rooms are contrasted by the intimate and calm atmosphere of the two rooms in sequence, dedicated to more private meetings and gatherings, but also to moments of work in which greater isolation allows a different type of concentration. The function was almost built on the project, as the client, after a quick initial briefing, left the designers with the challenge of shaping the use of space on the design of furnishings and mezzanines that enhanced the existing spaces. Somehow, we dare to say that the function has followed, in this case, the form, even if this process has, in many ways, undergone a opposite.
The project builds, through the design of the oak furnishings, a series of (co)respondence between of the elements (mezzanines, stairs, bookcases, containers) mainly situated along the perimeters, according to a principle of mutual necessity. The first area, dedicated to reception and waiting, is covered by a plastered vault and houses a container staircase that leads to a mezzanine with low shelves and seats for consultation.
The underlying bookcase, with a fast and regular rhythm, is the daughter of the mezzanine structure. A portal-boiserie containing a service and storage room leads to the main room, whose original finishes (sown on the ground with a frame and vault in exposed brick) were maintained in dialogue with the design of the modern taste of the furnishings.