深圳客从何处来
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美食展览与表演
从现实到虚拟，这都是一场美食表演。
流行艺术家安迪·沃霍尔曾经说过：“在未来，每个人都有15分钟的名声。”在这个互联网名人的时代，人们吃饭不仅仅是为了满足胃口，他们还利用食物和环境来展示自己。位于深圳南山区的Doko Bar就是一个典型的互联网名人甜品店。水来自设计，起源于15分钟的理论，认为进食过程就是一场表演。从我们的客人踏入店内，坐下来，从我们准备甜点到上菜，再到客人品尝食物的每一个步骤都像是一部紧密联系的剧集的章节。在店里的每个人都成为了平台的一员。这个空间就像一个实验室，人们在其中品尝他们的食物。
全方位沉浸式观察和被观察的剧场体验
通过审视社交媒体的习惯，我们可以看到人们渴望通过将现实生活中的材料放到虚拟平台上获得成就感。他们将在数字世界中获得的赞美转化为现实世界中的自信。这种表演和展示行为模糊了网络活动的界限，使现实世界和虚拟世界相互映射。因此，我们从百老汇的《Fuerzabruta》中找到的沉浸式剧院中汲取了灵感。我们进一步添加了传统主客关系中的解释说明。当舞台将你围绕着，戏剧在周围360度展开时，观察者在一瞬间可以成为表演的一部分，并享受成为被观察者的乐趣。这真正颠覆了传统剧院中单向的视角——要么看上去，要么看下去——而不是同时向上和向下看。
在大多数餐厅中，靠窗的座位通常是最吸引人的，但我们在建筑内部使用窗户的功能。我们打开了社交媒体风格的各种大小的框架和屏幕，为每个框架中的节目增添了聚光灯。通过这种方式，我们突破了没有街道正面的店铺的限制。我们店里的所有座位都靠近走道。从厨师将食物摆放在盘子里，到服务员将菜端到客人桌上，再到时尚客人就座，每一帧都是剧场的一部分——都是3D的，都是真实的，都是熟悉的社交媒体语言。人们既可以坐在最好的座位上，又可以享受被观察的期待的双重乐趣。
戏剧化的用餐在剧场中，开幕和落幕
在延长的店铺中，第一层围绕着厨师吧，形成了几个同心圆和一个多面向的剧院舞台。进入二楼的楼梯和带有透明窗户的走廊，舞台已经扩展成一个3D结构。这些走廊就像时装秀中的T台一样。一群群的客人就座已经成为表演中的动作。店里的一切都丰富了表演。
在层层走廊和框架之间，那个巨大的血红色盒子似乎悬浮在半空中，最为显眼。与其他半透明媒体不同，这个高度逼真的VIP房间固定在视觉轴线上，就像是一个戏剧舞台，也像是古典歌剧院二楼包厢的隐蔽盒子。高高在上，庄严，神秘，它确实是一个观察者和被观察者的地方，回应了互联网名人的熟悉的动态广告列表。
社交媒体的外表，现实和虚拟
这里的室内建筑的表面层就像是剧院的幕布。我们选择玻璃、金属网、镀锌钢板、尼龙线和不锈钢来建造透明和半透明、朦胧和实体对比的材料。其中，尼龙线在显示朦胧神秘幕布方面表现最为突出。在尝试了各种柔韧性的材料，如钓鱼线和透明PVC管后，我们使用尼龙线构建了线条墙，密度各异。这不仅颠覆了人们对厚重墙壁的印象，还改变了树影的密度以及树和人的影像和影子随着观看的角度和距离的变化。
光线、漂移和梦幻般的蒸汽充斥着入口走廊。约10000根尼龙线被组合在一起制成了一个半透明的屏障。这两件事情在一起，有时固定不动，有时飘逸不定，似乎象征着人际关系网络的复杂性，并对应于数字时代媒体中自己与所有其他人之间关系的形状：既透明又朦胧，既近又远，既建立连接又构成一道墙，既矛盾又互相加强。这一切再次展现了当代社交媒体关系既真实又虚拟、难以界定的线条，既静止又运动，始终形成一幅独特的画面。
菜品创作的表达天使——静止或动态
除了解释互联网时代的真实和虚拟关系外，我们还希望这个食物剧院能够传达不同时间轴上的情感变化：白天，享受简单明亮的阳光，特别是在入口轴线尽头的江氏汉白玉佛像，以及它与周围用餐礼仪的精致平衡，散发出一种宁静的氛围，尽管周围一片混乱。夜晚，从佛吧传出的音乐不能干扰佛像的宁静。那是静止还是动态？真实还是虚拟？由你来判断。
在这个空间里，我们利用古老的榆木墙的沉重感、尼龙屏风的透明感、红枣的辉煌、混凝土的优雅、框景的静止以及走廊中人们的活动来进行对比，并实现平衡。所有这些展示和讲述使整个剧院运行不停。在一场美食表演中，每个人都有机会找到一个杰出的、有创意的角色去扮演。
在精致的甜点端上桌子的时刻的绝对美丽是现实的。生活和进食的不断演绎是现实的。剧院里的人正在诠释他们的食物，将剧院推向朦胧世界的境界。
Food exhibition and show
From real to virtual, it all an eating show.
Pop artist Andy Warhol once said, “In the future, everyone has a chance at 15 minutes of fame”. In this age of Internet celebrities, people eat not just to satisfy their appetite, but they also use the food and the environment to show off themselves. Where Doko Bar located in Nanshan District of Shenzhen, is a representative Internet celebrity dessert shop. Waterfrom design, originated from the 15-minute theory, considers the eating process a show. From the moment our guests step inside our store, take a seat, and from the moment we prepare our dessert to deliver our dishes and our guests taste our food, every step of the way is like tight-coupling chapters of a play. Everyone in the store becomes a member of the platform. The space is a laboratory in which people taste their food.
360o-immersion theater experience of observing and being observed
Combing over the habits in social media, we can see that people long for a sense of achievement that they get from putting real-life materials on virtual platforms. They convert the accolade they get in the digital world into self confidence in the real worlds. Such show and tell behaviors have blurred the border line of network activities and made the real world and the virtual world reflections of each other. Therefore, we have drawn inspiration from the immersion-style theater found in Broadway’s Fuerzabruta. We have taken it one step further to add explanatory notes to the traditional host-guest nature in dining etiquette. When the stage surrounds you and the play unfolds 360o all around, the observer in one moment can become a part of the show in the next moment and take delight in being the observed. This really turns the one-way view--either looking up or down the stage, but never both up and down--in traditional theater on its head.
Seats by windows are often the most attractive in most restaurants, but we take the function of windows inside the building. We open social media-like frames and screens of various sizes that put spotlight on shows in each frame. In this way, we have broken through the limitations of stores without street frontages. All seats in our store is next to a walkway. From chefs placing their food in plates, to servers putting the dish on guest tables, to stylish guests taking their seats, every frame is part of the theater--all in 3D, all realistic, all familiar to social media language. People have the dual fun of taking the best seat and enjoying the expectation of being observed.
Ceremonized dining in a theater, the curtain opening and closing
In the elongated store, the first floor revolves around the chef bar, forming a couple of concentric circles and a multi-facing theater stage. Going into the stairs to the second floor and the hallways with transparent windows, the stage has been expanded into a 3D structure. These hallways are just like runways in fashion shows. Streams of guests taking their seats have become movements in the show. Everything inside enriches the show.
In the midst of layers of hallways and frames, the giant bloody red box seemingly floating in midair is most conspicuous. Distinct from other semi-transparent media, this highly real VIP room fixed on the visual axis is like a theater stage also like a secluded box on the second floor balcony of a classical opera theater. High above the ground, regal, and mysterious, it is indeed a place for the observer and the observed, echoing the familiar list of dynamic advertisements in the Internet celebrities.
Social media appearances, real and virtual
The surface layer of the interior architecture here is like theater curtains. We have chosen glass, metal mesh, galvanized sheet metal, nylon threads, and stainless steel to build a transparent and semi-transparent, hazy and solid contrast in the materials. Of those, nylon is the most expressive in showing hazily mysterious curtains. After trying materials of various flexibility, such as fishing lines and transparent PVC tubes, we use nylon threads to construct walls of lines that are varied in density. This not only upends people’s impression of thick and heavy walls but also changes the density of tree shadows as well as the images and shadows of trees and people as the angel and distance of viewing change.
Light, drifty, and dreamy vapor abounds in the entrance hallway. Around 10,000 nylon threads were put together to make a semi-transparent shield. These two things together, sometimes fixed in place and sometimes drifty, seem to symbolize the complexity of interpersonal webs of relationships and correspond to the shape of relationships between oneself and all others in media in the digital age: relationships that are both transparent and hazy, both near and far, both building connections and a wall all at once, and both contradictions and mutually fortifyin. All this again and again shows the contemporary social media relationships that are both real and virtual, hard to draw a line of definition, both still and moving, and at all times forming a unique picture.
Angels of expression for dish creation--still or moving
In addition to interpreting the real and virtual relationships in the internet age, we also hope that this food theater may convey emotional variations over different time axises: During the day, enjoy the simple, bright sunlight, especially the Han white jade Buddha statue of the Chiang’s at the end of entrance axis and its delicate balance with the surrounding dining etiquette, exuding an air of calm notwithstanding the surrounding chaos. At night, music coming out of the Buddha bar cannot disturb the calm of the Buddha statue. Is that stillness or motion? Real or virtual? You be the judge.
In this space, we use the heaviness of old elm wooden walls, the transparency of nylon shield, the splendor of red Chinese dates, the elegance of concrete, the stillness of framed scenery, and the motion of people in hallways to create contrasts and achieve balance. All this show and tell makes the whole theater run non-stop. During a food show, everyone has a chance to find an outstanding, creative role to play.
The absolute beauty of the moment exquisite desserts are served on the table is reality. The unceasing play of living and eating is reality. People in the theater are interpreting their food, pushing the theater towards the realm of misty worlds.