赤脚卡尔默尔修道院教堂
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修道院综合体是赤脚卡尔默尔修道士的礼拜场所，这个沉思的修道士团体以其简朴著称。该项目旨在从罗马尼亚传统建筑中汲取灵感，但经过重新思考、现代化并适应当前需求。
客户希望去除建筑细节与宗教符号之间的障碍性关联，但在任何方面都不亵渎这个地方。
寻找并承袭传统建筑是一种收获，是一次伟大的体验。
该修道院的简朴与传统罗马尼亚建筑的简单性完美契合，简单并不意味着完全去除装饰，而是将其置于聚光灯下。黑白相间的木质外立面游戏，灵感来自于木匠大师的工艺。马头，作为技艺的象征，是框架细节的主旋律，框架窗户和支撑构件形成了节奏，粗壮的木柱表达出力量，而屋顶框架结构的形状则以其流畅感让人放松。
塔楼、修道院、客房和教堂聚集在一起，形成两个庭院。一个是专为修士设立的仪式庭院，另一个更大，起到精神宁静和休息的聚集作用，正好位于教堂的温柔怀抱之下。
整个建筑群披上了这种传统的量身定制外衣，既不是复制而是解读。然而，教堂更进一步，隐藏在一个独特的宇宙中，现代对古老结构的诠释，展现出力量的特殊流动。古老拱门的形象让位于始终隐藏在古代的木结构之美。拱门依靠12根木质层压肋柱支撑，这些柱子紧贴墙壁，沉重地跨在坚固的混凝土支撑上。斑马纹理的地面由天然花岗岩制成，象征着从黑暗到光明，从世俗到神圣的过渡。
走过覆盖在地下室上的玻璃地板，地下室里永恒的火焰提醒我们来自何处，以及终将回归的地方。教堂的入口是一个巨大的木门，配有青铜元素和报喜的主题。手工打磨的木材和透明的玻璃条与门把手一起邀请人们走入内部。彩色玻璃窗采用温暖的黄色简单色调，旨在柔和纤细的木结构。马赛克装饰着整个祭坛，间接地将光线引入教堂内部。侧阳台紧紧依附于木结构，金属的竖琴形状元素则是为了缓解可能在中间区域形成的巨大结构带来的不和谐。
在新技术、建筑环境转型的时代，在新程序和通向未来世界的突破诞生的时代，这个项目主题展现了现代替代方案让位于传统的场景，功能满足古老和传统的需求……
The Monachal Complex is a place of worship for the monks of the Order of Discalced Carmelites, a contemplative monk order known for its austerity. It has been desired to be a concept – inspired from the Romanian traditional architecture but reconsidered, modernized and adapted to current needs.
The customer’s desire was to remove the impedimental association of architectural detail with religious symbols but build everything without desecrating the place in any way.
Finding and assuming traditional architecture was a gain, a great experience.
The austerity of the order and simplicity of traditional Romanian architecture fit beautifully and simplicity does not mean the total removal of ornament but actually putting it in the spot light. A black and white game of wooden enriched facades - inspired by the craft of the master carpenter. The Horse head, symbol of mastery, is the leitmotif of detail in the framing, where framed windows and consoles impose a rhythm, where massive wooden pillars express strength and the shape of the roof framing structure relaxes you with its flow.
The tower, the monastery, the guest house and the church; gathered together give birth to the two courtyards. One for the ritual, a chiostro exclusively for the monks, the other, bigger, having a regrouping role for spiritual peace and rest - right under the gentle lap of the church.
The whole ensemble wears this traditional tailored coat, not copied but interpreted, however the church, goes even further and hides inside a unique universe, a modern interpretation of the ancient structure, a special flow of the forces. The image of the old arch gives way to the beauty of the wooden structure that was always hidden in ancient times. The arch rests on 12 pillars, wooden lamellar ribs, which cling to the walls and stride heavily on solid concrete consoles. The zebra floor, a natural granite, makes the transition from darkness to light, from the profane to the divine.
Passing over the glass floor, which covers the crypt, where the eternal fire reminds us where we came from and where we shall return someday. The gateway of the church is a massive wooden gate with bronze elements and the theme of the Annunciation. Hand sanded wood and a transparent glass strip inviting along with the door handle, to the inside. The stained glass windows are in simple tones of warm yellow, designed to tame the little slender wooden structure. The mosaic fills the entire altar, bringing – indirectly - the light towards the interior of the church. Side balconies cling strongly to the wooden structure with the metallic flow of the lyres, an element born from the need to mitigate a possible massive structure in the median area that could have been a disharmony.
In an age of new technologies, of conversions in the build environment in particular, in an age of birth of new programs, of breakthroughs towards a tomorrow’s world, there is a project theme in which the modern alternative gives way to the traditional, where the function satisfies the old and ancient requirements…