GARAGE Pavilion
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位于莫斯科的葛尔基公园内的“车库当代文化中心”的第一个展览馆建于六个类似箱体的容器上，旨在举办不同的展览，外部覆盖着半透明的网格，并与一系列内部庭院相连。
“车库”由达莎·祖科娃于2008年创建，是一个总部位于莫斯科的重要艺术项目，致力于探索和发展当代文化。
2012年初，车库从其原来位于巴赫梅捷夫斯基巴士车库的住所搬到了莫斯科的葛尔基公园，在2015年由OMA设计了新的建筑，此前是由坂茂设计的一个展馆。
新馆在某种程度上是对六面体的建筑致敬 - 位于新建筑100米处的伊万·佐尔托夫斯基的经典苏联展馆。
新结构是一系列小心地放置在公园内现有树木和灌木之间的6个白色立方体，以适应景观并保留场地上的所有绿色植被。这些立方体通过几个半户外庭院连接在一起，因此每次进入下一个空间时，游客都必须进出。
展览立方体的长方形几何形状被外部皮肤的软双曲面 - 半透明的白色网格所包裹。网格层模糊了展馆的形状并产生了“色斑”效果。作为扩散层，网格改变了展馆的形象：该结构看起来更不透明或更透明，取决于角度。
建筑外观的材料代表了展馆的短暂性。使用“废弃网” (用于覆盖建筑工地) 显示了新展馆建设和拆除之间的暂时边缘。
展馆内部在“米歇尔·冈德瑞工厂”展览期间进行了多次改造，由于其白色立方体外观，为一系列不同的干预提供了中立的背景。
展馆获得了“ArchiWood-2013”奖项，是最佳木结构公共建筑的奖励。
The first Exhibition Pavilion for the Garage Center of Contemporary Culture in Gorky Park was built to host different exhibitions and consists of six box-like volumes. The boxes are wrapped with a semi-transparent net and are connected with a series of interior courtyards.
'Garage', founded by Dasha Zhukova in 2008, is a major arts project based in Moscow, dedicated to exploring and developing contemporary culture.
At the beginning of 2012, Garage moved from its original home in the Bakhmetevsky Bus Garage to Gorky Park in Moscow where it got a new building by OMA in 2015, preceded by a pavilion by Shigeru Ban.
The new pavilion is in a way an architectural homage to the Hexahedron - classical Soviet pavilion by Ivan Zholtovsky which is situated 100 m away from the new structure.
The new structure is a sequence of 6 white cubes carefully placed between the existing trees and bushes in the park in order to fit in to the landscape and preserve all the greenery on the site. The cubes are connected with several semi-outdoor courtyards thus a visitor has to go in and out everytime he enters the next space.
Rectangular geometry of the exhibition cubes is wrapped with soft, double-curved surfaces of the exterior skin - translucent white net. Layers of net blur the shape of the pavilion and create 'moiré' effect. Acting as a diffusion layer, the net transforms the image of the pavilion: the structure looks more opaque or more transparent, depending on the angle.
The material of the buildings' skin represents the impermanence of the pavilion. Usage of 'debris netting' (which is used for covering the construction sites) shows the ephemeral verge between the construction and demolition of the new pavilion.
The interior of the pavilion was transformed several times during the exhibition "Factory of Michel Gondry" and due to its' white cube appearance has served as a neutral background for a series of different interventions.
Pavilion received ‘ArchiWood-2013’ award, prize for The best public building built in wood.