三宝蓬艺术中心
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三宝艺术博物馆位于三宝村，这是一个风景优美的地方，距中国瓷都景德镇市中心不远。
在过去的十年里，瓷艺术家们被吸引到这里建立自己的工作室。因此，一个新兴、充满活力、以瓷为中心的枢纽正在蓬勃发展，并吸引更多的人才迁居至此，他们带来了对传统瓷艺的巨大热情和梦想。这里的大部分产业都与瓷器相关，导致了竞争激烈的环境，要成为最好的，需要极大的创意和不懈的努力。
瓷器与制作者
在三宝村，这里有艺术家、艺术品和展览场所。因此，一开始，我的兴趣更多地集中在讲述艺术家和他们的创作之间的故事，而不只是设计一个“跟风”的博物馆。
与这些艺术家交流想法后，我发现艺术家与他们的创作之间的关系有一种浪漫的氛围，就像男女之间初恋的感觉，间接地探索、探讨、协商和微妙地操控。在窑炉中的瓷器转化过程就像是底片显影的过程，充满了不确定性，即使摄影师在按下快门之前将他们最好的想象投射到底片上，最终的结果可能会在暗房后让人感到惊讶或失望。然而，正是风险和不确定性要求每个摄影师在按下快门之前仔细考虑每个细节。制作瓷器也是如此，它需要很多经验和智慧，总会有试验和错误、探索、制作者与创作之间的协商，可以说这种关系相当浪漫。
因此，在定义我们设计的角色时，我们希望建立一个互动空间，鼓励游客在情感和行为上与空间进行互动。
我们试图创造一个带有神秘感的空间，以触发游客多样的感觉或心理刺激。在一种狂野的想象中，建筑可以像人工智能机器人一样，通过其空间与游客默默交流。
自然与人造
在这个狭窄的山谷中，自然形成的小溪流淌，千百年来，溪流为每一件精美的瓷器歌唱。
人造的一面，我希望与自然景观形成巨大的对比，就像《2001太空漫游》中的场景一样，一个巨大的人造创造物被埋在自然背景中多年。表面长满了苔藓和泥土，然而，它的轮廓在山间仍然清晰可见。
这是我对三宝博物馆的第一个印象。建筑，即人造物，与周围的自然景观形成鲜明对比，一个纯净的几何形状是我对这个博物馆的定义。
展示品和镜像自我
博物馆是一个视觉上的线性形状，长150米，但参观流程实际上是非线性的，游客将有多个选择。目的是增加人与空间之间的偶然性，我们相信建筑可以营造出一种氛围，让游客与之产生个人联系，一旦建成，展出的物品将不再重要，它们将像镜子一样，游客将通过这些物品审视自己，我相信真正的艺术是帮助我们看到真实的自己的媒介，有时清晰，有时模糊，有时真实，有时虚假。
因此，我希望在迷宫式的游览过程中，游客能够更清楚地看到自己，并享受氛围。对于那些不喜欢赌博的人来说，赌场成为反思自己的理想场所。
印象与想象
游客流是设计博物馆时通常重要的因素，但在这个设计中，我更关心创造游客和空间之间模糊的关系。墙壁是塑造展览空间和氛围的最重要部分，采用夯土建造，我希望它的质感能带来一种诗意的感觉。
主通道是一个长长的透明空间，长100米，周围是夯土墙，高4米，从地里长出来。当游客穿过不同的区域时，体验也会有所不同，游客会被树林区后延伸的屋檐所吸引。小溪的声音会让游客稍微放松一下，前方的景象会进一步引导游客进入神秘但欢乐的世界。
博物馆提供了多种选择，游客可以上下走动，感受欢乐的小溪或宁静的池塘，欣赏展览或在角落里放松身心。不同的选择带来不同的体验，这是陶瓷设计师与他们的创作之间丰富的关系。每次游览都将是游客和建筑之间的故事，充满了发现、期待、等待、焦虑、失望和喜悦。
新与旧
三宝艺术博物馆使用的主要材料，如夯土、钛锌板和石灰华，将被时间侵蚀。我们期待这个侵蚀过程，就像葡萄酒的发酵一样，时间赋予了它独特的风味。
此外，三宝村自然产生独特的土壤，略带红色，因此我们决定用当地的黏土建造连续的土墙，它带来了一定的熟悉感和紧张感。然而，实现过程确实非常复杂，幸运的是，我们有一个专业的咨询团队，得到了很多建议，并进行了无数次的实验。所有的接头都是提前以1:1的比例制作的样品，所有的试验样品最终都组装在一个新的景观建筑中。
愿景与现实
在承担这个项目之前，我们的客户问我对最终设计有什么想法。我说，我希望提供的感觉就像优雅女士演奏的大提琴声音一样。
两年过去了，当我漫步在这个博物馆时，我能感受到建筑的温和力量，充满了宁静和平和。因此，我们又走了一步，制作了一个视频，希望能冻结只有亲自感受才能感受到的氛围。
Sanbao Art Museum is located in Sanbao village, a scenic place not far from the Central city of Jingdezhen, the porcelain capital of China.
In the past decade, porcelain artists were attracted here to build their own studios. Thus a nascent, dynamic, porcelain-centric hub is thriving and magnetizing even more talents to migrate here what comes along is their great passions and dreams in inheriting the tradition of porcelain art. Most of the industries here are porcelain related, causing a highly competitive environment, it will take great ingenuity and endless efforts to be the best.
Porcelain and the maker
There are artists, arts, and places to exhibit arts here in Sanbao Village. Therefore at the very beginning, my interests were more focused on telling stories between artists and their creations than just designing a“me-too” museum.
After bouncing off ideas with these artists, I found the relationship between the artists and their creation is sort of romantic, like the feelings of first love between boys and girls, indirect probing, exploring, negotiating and subtle maneuvering. And the transformation in the pottery kilnsis like the process of developing films, it’s full of uncertainties, even though photographers projected their best imaginations onto the films before they pressed the shutter, the final results might be surprising or disappointing after the dark room. However, it was the risks and uncertainties that require every photographer to think through every detail before they press the shutter. Porcelain making is similar, it requires a lot of experience and brain power, there are always trials and errors, exploration, negotiation between the maker and his/her creation, it’s not exaggerate to say the relationship is quite romantic.
Therefore, when defining the role of our design, we wish to build an interactive space to encourage reciprocal communication between visitors and the space, both emotionally and behaviorally.
We attempted to create space with a sense of mystery to trigger diverse sensation or psychological stimulation of visitors. In a wild imagination, architecture can act like A.I. robots to silently communicate with its visitors by its spaces.
Natural and artificial
Naturally,flowing creeks are sprawling through this narrow valley, streams chant every fine porcelain for thousands of years.
Artificially, I wish to create a huge contrast to the natural scenes like a scene from 2001: A Space Odyssey, a huge artificial creation was burying in the natural background for years. The surface is full of moss and soil, its outline, however, is still obvious in the mountain.
This is the first image of Sanbao Museum came to my mind. Architecture, the artificial, contrasts sharply against its surroundings, the natural, apuregeometric form is my definition for this museum.
Exhibited items and mirrored selves
The museum is a visually linear shape, 150 meters long, but the visiting flow is actually nonlinear, visitors will have multiple choices to go. The purpose is to boost serendipities between people and spaces, we believe architecture can create the atmosphere with which visitors will have personal connections, once built, exhibited items will no long be important, they will act like mirrors, visitors will be reviewing themselves through these items, and I believe true arts are the medium to help ourselves to see the true version of ourselves, sometimes clear, others vague, sometimes real, others fake.
So I hope that during the experience of labyrinth tour, visitors could see themselves clearer and enjoy the atmosphere. For those who do not gamble, the casino becomes the perfect place to reflect on their own.
Impression and imagination
Visitor’s flow is usually an important factor in designing museums, but in this design, I care more about creating ambiguous relationship between visitors and the space. Walls, the most important part at shaping exhibition space and atmosphere, is made of rammed earth, I wish its texture could offer a poetic feeling.
The main passage is a long transparent space, 100 meters, around it are rammed-earth walls, 4 meters high, grow from earth. Experiences vary when visitors walk through different areas, visitors will be attracted by the outstretched eaves after the woods area. The sound from the creeks will relax visitors a bit, and what lies ahead lead visitors further into the cryptic but joyful world.
Multiple choices are provided in the museum, visitors can go up and down, feel the delight stream or peaceful pond, enjoy the exhibition or relax in the corner. Different choices bring various experience, which is an enriched relationship between porcelain designers and their creation. Every tour will be a story between visitors and the architecture, mixed of discovery, expectation, waiting, anxiety, disappointment and joy.
New and old
Major materials used in Sanbao Art Museum, such as rammed earth, titanium zinc panels and travertine, will be eroded by time. We’re expecting this process of erosion, like the fermentation of wine, time gives its unique flavor.
In addition, Sanbao village naturally produces unique soil, slightly red in color, so we decided to build the continuous loam walls with local clay, it delivers certain familiarity and tension. Yet the realization process was really complicated, fortunately, we had a professional consulting team with us, received lots of suggestions and did countless experiments.All the joints weremade in1:1 samples in advance, and all the experimenting samples eventually assembled in a new landscape building.
Envision and reality
Before taking on this project, our client asked me what I envisioned about the final design. I said the feeling that I hope to offer should be like the sound of a cello played by anelegant lady.
Two years passed, when I am wandering in this museum, I can feel the gentle power of the building, soaked with tranquility and peace. So we went an extra mile, we made a video in the hope to freeze the atmosphere that could only be felt in person.