布里昂家族墓地
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关于卡洛·斯卡帕 “Carlo Scarpa” 在特雷维索 “Treviso” 圣维托·达尔蒂沃莱 “San Vito d'Altivole” 建造的布里昂 “Brion” 墓地小教堂的摄影系列 “1969-78”。
当我到达圣维托·达尔蒂沃莱的布里昂墓地时，外面正下着大雨。
这座墓地建于1969年至1978年，是由著名的布里昂·维加 “Brion Vega” 公司的领导者的妻子奥诺里娜·布里昂·维加 “Onorina Brion Vega” 委托建造的，因其丈夫的早逝而兴建。
在参观时，那里的人不多：一群拿着黄色雨伞的老绅士和一个穿着麂皮夹克的男孩。
我走过百叶窗式的门廊，随后两个环形结构——无框窗户，展现出斯卡帕的风格和形式，以其强大的力量展现出来，让人可以自由俯瞰草坪，并清晰指引继续前行的方向。
我向左走，因为冥想厅目前关闭。
从一开始，整个建筑的材料感就更为强烈：裸露的混凝土均匀性仅被生物性表面和水面上的降解所打断，建筑悬浮在上面，增强了这个地方的庄重感。
我向左走，看到拱形墓室 “Arcosolium”，这是一个室内穹顶结构，里面安放着两位恋人的石棺。
我重新站起身，沿着一条由台阶标记的路径前行，符合人类的步态。
斯卡帕体现在细节中：从踏板到框架，从隔墙到地面，从模具到装饰。
材料的连续性因简单形状的重复而变化，这些形状彼此相似但又各有不同。
经过一个有顶的走廊，我到达了小教堂，其方形平面相对于之前的路径旋转了45度：镶板的入口门像一个大型拉链，打开和关闭小教堂；我注意到圣水池呈双环形状。
尽管光线昏暗，光线透过窗户洒入空间；右侧，稍微抬高的祭坛被一束光线从上方照亮。我走出悬浮在水面上的板子，欣赏着立面装饰的变化。
雨停了，气氛变得宁静。
我重新站起身：通道的人性化尺度，旁边的围墙向内倾斜45度，我从外面看到的景象。我在不对称的通道中冒险，因门口的形状而感到不稳。
在有顶的区域内，有一个混凝土棚屋，里面有石棺：这让我从另一个角度看到了小教堂，其周围一半被水环绕。
然后我穿过狭窄的空间，来到草地上，向最初的门廊望去：我看到为数不多的几位访客正准备离开。
我瞬间拍下这张照片，毫不犹豫：那人正好经过两个环交汇的地方，建筑在此处变成了诗意与构图。
我最后一次走向入口，走向两个交汇的环：那个穿着麂皮夹克的男孩在草坪上，俯瞰着墓地围墙外的景象，正好位于两个环的交点。
一切都显得宁静、庄重、深思。
再见，卡洛，期待再见。
A photographic series on Carlo Scarpa's Brion funerary chapel, built in San Vito d'Altivole, Treviso (1969-78).
When I arrive at the Brion cemetery in San Vito d'Altivole, it’s raining thick.
The cemetery, built in 1969 – 1978, was commissioned by Onorina Brion Vega’s wife, due to the untimely death of her husband, leader of the famous Brion Vega company.
In the visit there were few people: a group of elderly gentlemen with a yellow umbrella and a boy from a suede jacket.
I go through the blinds propylaea, after which the two rings – windows without frame, the Scarpa' style and stilemic form, shows itself in all its power, allowing the free overlooking of the lawn and pointing out clearly how to continue the journey.
I head to the left, because of the Meditation Hall is currently closed.
From the beginning, the materiality of the complex is stronger: the exposed concrete homogeneity is interrupted only by the biological patina and degradation by water surfaces on which the buildings are suspended, increasing the stateliness of the place.
I head to the left and look the Arcosolium, an indoor-domed structure, containing the sarcophagi of the two lovers.
Back on my feet and through a path whose path is marked by steps bined, according to the human gait.
Scarpa is in the details: from the tread to the frame, from the septum to the pavement, from the molding to the decoration.
A continuity of matter that varies due to the repetition of simple shapes similar to each other but always different.
After a covered corridor, I arrive then to the chapel whose the square plan is rotated 45 degrees from the path that precedes it: the paneled entrance door works as a large zipper that opens and closes the chapel; I noticed then the holy water is in the shape of double ring.
The light, although is dim, invests space through the windows; to the right, the slightly raised altar is lit from above by a cone of light. I walked out through the plates suspended in the water and admire the change of decoration dentil of the prospectus.
It stops raining and the atmosphere is now muffled.
Back on my feet: the passage is on a human scale, bordered to my side of the perimeter wall bent 45 degrees inward, what I had seen coming from outside. I risk of falling down, shooting the asymmetric passage because of the portals, molded in turn.
Within the covered area, a concrete shed, where there are sarcophagi: it shows me an another point of view of the chapel, which his perimeter is half-surrounded by water.
Then I walk through the narrow space getting to the meadow where I look out towards the initial propylaea: I see one of the few visitors to the exit.
Shooting instantly, without thinking: the man passes right where the rings are joined, at the point where the architecture becomes poetry and composition.
I ride for the last time to the entrance, to the two joint rings: the boy from suede jacket is on the lawn, overlooking outside the perimeter wall of the cemetery, at the point of intersection between the two rings.
All is calm, serious, thoughtful.
Bye Carlo, see you soon.