THALIA THEATRE
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两代不同的葡萄牙建筑师共同改造了位于里斯本市动物园旁的一个新古典主义剧院遗址。建筑的遗迹被一层混凝土外壳覆盖，并延伸至一个玻璃展馆，形成一个多功能空间，可以举办各种活动和表演。
塔利亚剧院于1843年开幕，作为法罗博伯爵的私人场所。它位于里斯本郊外，面朝这位贵族拥有的宫殿和花园。法罗博伯爵热爱艺术，利用塔利亚剧院举办戏剧和歌剧演出，以及为自己举办奢华的派对。1862年，一场大火烧毁了这座建筑，所有华丽的装饰，包括镀金木材、镜子和吊灯都化为灰烬。到那时，法罗博伯爵已经失去了财富，最终死于贫困。
近150年来，塔利亚剧院一直处于废墟之中。随着里斯本的郊区不断扩展，动物园位于其旁边，为这座破败的建筑提供了异国情调的背景。2008年，葡萄牙教育和科学部委托进行一项研究，以将塔利亚剧院改造成一个多功能空间。该公共机构目前位于正对面的宫殿内。来自里斯本的Gonçalo Byrne Arquitectos和Barbas Lopes Arquitectos共同完成了这一项目。
为了保留塔利亚剧院的旧墙，外部完全被一层陶土混凝土外壳覆盖，形成一个巨大的单体结构。它由观众席和舞台的原始体量组成，高达23米。在这两个空旷的空间内，遗迹保持原样，形成一种独特的景观。最小的技术设施创造了一个可以调整为多种用途的场地，如展览、峰会、音乐会、派对或广播。
一个相邻的单层建筑完全由玻璃构成，提供接待、服务和咖啡厅等附加功能。新翼环绕着塔利亚剧院，面向旁边繁忙的街道，形成一面连续的玻璃窗，映射出周围环境的金色反射。入口由原来的前厅构成，按照“新新古典主义”风格重建，内部使用泡沫塑料型材建造了带有凹槽的饰带。外部，前廊和大理石狮身人面像得到了修复。
主立面的山花上用青铜字母拼写出塔利亚的座右铭，喜剧女神的拉丁文铭文“这里惩罚人类的行为”再次被放置。该项目将里斯本塔利亚剧院的改造结合了建筑的旧部分和新部分，形成一个与附近动物园相连的城市整体，重现了过去的存在，成为幻想、想象和公民生活的场所。
日期：2008-2012
面积：1,600平方米
预算：2,700,000欧元
Two different generations of Portuguese architects reconverted together the ruins of a neoclassical theatre in Lisbon, next to the city zoo. The remains of the building were covered by a shell of concrete and extend onto a glass pavilion, forming a multipurpose space where events and performances can take place.
The Thalia Theatre inaugurated in 1843, as a private venue for the Count of Farrobo. It was located just outside of Lisbon, facing a palace and gardens also owned by this aristocrat. A lover of the arts, the Count of Farrobo used the Thalia Theatre to stage theatre and opera shows as well as extravagant parties for his own amusement. In 1862, a fire burned down the building with all its luxurious decoration of gilded wood, mirrors, and chandeliers. By then, the Count of Farrobo had lost his fortune and eventually died penniless.
For almost 150 years, the Thalia Theatre remained in ruins. While the outskirts of Lisbon sprawled round its whereabouts, the city zoo was located next to it providing an exotic background to the derelict structure. In 2008, the Portuguese Ministry of Education and Science commissioned a study to reconvert the Thalia Theatre into a multipurpose space. This public institution is presently located in the palace just in front. Gonçalo Byrne Arquitectos and Barbas Lopes Arquitectos, both Lisbon-based, made the project.
In order to retain the old walls of the Thalia Theatre, the exterior was entirely covered by a shell of terracotta concrete that forms a massive and monolithic body. It is composed of the original volumes of the audience and the stage, 23 meters high. Inside these two voided spaces, the ruins are left untouched in a spectacle of their own. Minimum technical fixtures create an arena that can be adjusted to several uses such as exhibitions, summits, concerts, parties or broadcasts.
An adjacent single-story structure, entirely glazed, houses additional program such as a reception, services, and a cafeteria. The new wing embraces the Thalia Theatre and faces the busy street next to it with a continuous surface of glass panes that mirror the environs with gilded reflections. The entrance is made by the original foyer, reconstructed in a “neo- neoclassical” style including a fluted frieze on the inside built with styrofoam profiles. On the outside, the front portico and marble sphinxes were restored.
Bronze letters at the tympanum of the main façade spell out the motto of Thalia, the muse of comedy. The original Latin inscription, “Hic Mores Hominum Castigantur,” was placed once again. In other words, “Here the Deeds of Men Shall Be Punished.” The project for the reconversion of the Thalia Theatre in Lisbon combines the old and new parts of the building into an urban ensemble with views to the nearby zoo. It brings back the presence of the past as a place for fantasy, imagination, and civic life.
Date 2008-2012
Area 1.600 m2
Budget 2.700.000 €