湘南基督教堂
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湘南基督教堂
这座新教堂位于一个郁郁葱葱的住宅区，步行10分钟即可到达湘南海滩。由于50年历史的教堂的礼拜堂变得过于狭小，因此决定在不同的地点建造一座新教堂。教会当局表示，圣经的经文在礼拜中被朗读和聆听。因此，他们希望拥有一个适合赞美主的礼拜堂。
六个屋顶
建筑设计为一层建筑，保持适度的高度，以便与低层住宅区和谐相处。设计旨在创造一个适合祈祷和崇拜的空间，六个不同高度的弯曲屋顶使自然光能够从天花板倾泻而下。这传达了六个屋顶代表《创世纪》中六天创造的寓意，而弥撒则庆祝第七天。
根据一天中的时间，直射阳光和间接光线得到了调节。在礼拜时没有直接阳光照射，而在其他时间则有。因此，这座建筑设计为在礼拜时间接收适量的间接光。通过计算机软件模拟了12个月内每30分钟的光线变化，以便根据一天中的时间进行调整。在全年中，礼拜时的空间都在柔和的光线下。礼拜结束时，直射阳光开始在墙面上投射出光线。下午时，只有一条直射阳光，约在3点钟时，光线如同雨水般洒下，创造出动态的环境。
声音与光的“肋骨”
在礼拜堂的裸露RC混凝土墙上，随机节奏雕刻出不均匀的纵向肋骨，并在肋骨之间放置深灰色的声学板。通过实现平衡，达到了满足需求的解决方案。使用凹形声学板使得听到牧师的讲道和圣经朗读变得更加容易，同时改善了圣歌等教会音乐的音质。随机设置的肋骨减少了颤动回声。浅灰色的光直接照射在凸面上，与深灰色的凹面形成鲜明对比。基于现代教堂建筑必须提供一个便于朗读圣经的空间的理念，我们意识到应该实现直射阳光穿透黑暗空间的效果。
直射月光
在湘南的天空下，我们可以参与礼拜，朗读和聆听圣经的话语，并在动态的直射阳光下祈祷。满月之夜，直射的月光透过漆黑的礼拜堂洒下。我们希望时间和空间的概念能够与当地的自然和风景和谐共存，人们会逐渐喜爱这座建筑。
户外陶土十字架
牧师古屋亲手在旧教堂的场地上捡起5公斤的沙子，用来制作陶土十字架。这是因为他想强调湘南基督教会50年的历史和会众的愿望。
开放式雨水沟
在圆弧的最低点外墙上开设了缝隙，形成开放式雨水沟。因此，雨水流过沟渠的景象变得愉悦，尽管松针丰富，但并不会阻塞沟渠。
直射阳光与祈祷
直射阳光以不同的方式改变教堂的空间，创造出完美的祈祷环境。礼拜后，这里成为少数人祈祷的空间，下午一到两道阳光洒落在这里。
间接光与礼拜
在弥撒中，圣经的经文被朗读和聆听。在礼拜期间，圣经和人不应直接暴露在阳光下。间接光适合于礼拜。该空间设计为在上午10:30至中午12:00期间接收间接光。
礼拜堂的下午
在礼拜结束时，只有一缕细细的直射阳光透过礼拜堂，当时正在唱赞美诗。
创造的浮雕瓷砖
在六个屋顶下的南北墙上，介绍了关于创造的浮雕瓷砖，展示了上帝之手在六天创造中的主题。未经烧制的瓷砖上雕刻了《创世纪》的原创图案，并逐一烧制。瓷砖的颜色是半透明的浅蓝色，灵感来自晨雾。六天的图案根据方向略有不同。除了在礼拜堂内找到图案外，还在包括洗手间、儿童房和牧师房等各个房间中增添了乐趣。
场地：416.50平方米
建筑面积：175.96平方米
建筑高度：6656毫米
设计时间：2013年2月 - 2013年10月
规划开始：2013年2月
开工时间：2013年11月
竣工时间：2014年6月
A protestant church stands at a rich green residential area which is 10-minutes away from Shonan beach on foot. The chapel of the 50-year old church became too small and it was therefore decided that a new church would be constructed on a different site. Church authorities said that the passages of the Bible are read and heard in service. Therefore, "We wish to have a chapel appropriate to give praise to the Lord.
Six roofs
The architectural design was a one-storied building with a restrained height so that it could harmonize in a low-rise residential area. It was aimed at creating a space appropriate to prayer and worship with the six curved surfaced roofs at different heights. This allows natural light to pour down from the ceiling. It conveys the message that six roofs represent the six days of Creation in the Bible genesis and Mass celebrates the seventh day.
Direct sunlight and indirect light are regulated depending on the time of the day.
At the time of service there was no direct exposure to sunlight, whereas the rest of the time there was. Therefore, this construction was designed to receive an appropriate amount of indirect light during service time. So, light was simulated using computer software at intervals of 30 minutes on the designed days during 12 months and manipulated depending on the time of the day. There would be a space under a soft light at the time of service throughout the year. Towards the end of the service, direct sunlight begins to draw a ray of light on the wall surface. In the afternoon there is only one line of direct sunlight, and around 3 o’clock light comes in like a shower, creating a dynamic environment.
(Stiffening) Ribs of sound and light
Uneven longitudinal ribs were carved at a random rhythm on the exposed RC concrete wall of the chapel, and dark gray acoustic boards were placed between the ribs. A solution to the requirement was reached by achieving balance. This was possible using concave acoustic boards to make it easier to hear the priest’s sermon and Bible Readings, and improved the sound of ecclesiastical music such as hymns with RC convex surfaces. Flutter echo was reduced by rib pitches placed at random. A light grey light shines directly on the convex surface stands out due to its contrast with the dark grey concave surface. Based on the idea that modern church construction has to provide a space that facilitates the Bible Readings, it came to our minds we should achieve direct sunlight shining through a dark space.
Direct moonlight
Under the sky of Shonan, we can participate in a service, read and hear the words of the Bible and have the opportunity to pray in a space under dynamic direct sun light in the afternoon. Direct moonlight shines through the pitch-black chapel at night during full moon. We hope the conception of time and space will harmonize with the local nature and scenery and people will gradually come to love the construction.
Outdoor terra-cotta cross
Reverend Furuya picked up 5KG of sand with his own hands in the premises of the previous church and used it to make a terra-cotta cross. This is because he wanted to emphasize the 50 years of the Christian church of Shonan and desires of the congregation.
Open rainwater gutter
Slits were made on the outside wall at the lowest point of circular arcs to create open rain gutter. As a result, it could be enjoyable to see rain flow through the gutters, and despite the abundance of pine leaves, these do not block the gutters.
Direct sunlight and prayer
Direct sunlight alters the space in the church in different ways creating the perfect environment for player. After the service, it becomes a space for a prayer for a small number of people and one to two or three rays of sunlight shine throughout afternoon.
Indirect light and service
The passages of the Bible are read, and heard in Mass. It is inappropriate for the Bible and people to be exposed to direct sunlight during service. Indirect light is appropriate for service. The space was designed to receive indirect light during services from 10:30 a.m. to 12:00 a.m.
Chapel afternoon
Only one thin ray of direct sunlight shines through the chapel when the hymn is sung towards the end of service
The Creation relief tiles
Relief tiles about the creation showing motifs of the hand of God during the six-day Genesis were introduced in the north-south walls under the six roofs. Unbaked tiles were engraved with original pictures from the Genesis and baked one by one. The color of the tiles is a semi-transparent light blue inspired by the morning haze. The pictures of the six days were slightly different in design depending on orientation. Finding pictures not only in the chapel but also in various rooms including the rest room, kid’s room, and pastor’s room added to the enjoyment.
Site 416.50 m2
Building area 175.96 m2
Floor area ratio 175.96 m2
Building height 6656 mm
Design February 2013 – October 2013
Planning start (M/Y) February 2013
Beginning of construction November 2013
Completion June / 2014